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Table of Contents

  1. Refutation
  2. Lydie Salvayre, Roxanne Lapidus
  3. pp. 10-12
  4. DOI: https://doi.org/10.1353/sub.2004.0028
  5. restricted access
  1. Voices in Her Head
  2. Warren F. Motte
  3. pp. 13-29
  4. DOI: https://doi.org/10.1353/sub.2004.0026
  5. restricted access
  1. Droll Lectures
  2. Jean-Yves Lazennec, Roxanne Lapidus
  3. pp. 30-33
  4. DOI: https://doi.org/10.1353/sub.2004.0024
  5. restricted access
  1. "Je contre": Tangential Speech in the Writings of Lydie Salvayre
  2. Brigitte Faivre-Duboz
  3. pp. 34-45
  4. DOI: https://doi.org/10.1353/sub.2004.0021
  5. restricted access
  1. Report on Lydie Salvayre's Subversive Classicism
  2. Eric Mechoulan
  3. pp. 46-58
  4. DOI: https://doi.org/10.1353/sub.2004.0025
  5. restricted access
  1. Lydie Salvayre: A Selected Bibliography
  2. Lydie Salvayre
  3. p. 59
  4. DOI: https://doi.org/10.1353/sub.2004.0029
  5. restricted access
  1. The Spatial Dialectics of Authenticity
  2. Amir Ameri
  3. pp. 61-89
  4. DOI: https://doi.org/10.1353/sub.2004.0016
  5. restricted access
  1. Image and Intuition in Beckett's Film
  2. Anthony Uhlmann
  3. pp. 90-106
  4. DOI: https://doi.org/10.1353/sub.2004.0032
  5. restricted access
  1. Digitizing the Racialized Body or The Politics of Universal Address
  2. Mark B. N. Hansen
  3. pp. 107-133
  4. DOI: https://doi.org/10.1353/sub.2004.0022
  5. restricted access
  1. A Nonhuman Eye: Deleuze on Cinema
  2. Temenuga Trifonova
  3. pp. 134-152
  4. DOI: https://doi.org/10.1353/sub.2004.0031
  5. restricted access
  1. L'ile deserte et autres textes (review)
  2. Charles J. Stivale
  3. pp. 153-155
  4. DOI: https://doi.org/10.1353/sub.2004.0030
  5. restricted access
  1. Defis du recit scenique: Formes et enjeux du mode narratif dans le theatre de Beckett et de Duras (review)
  2. Thomas Armbrecht
  3. pp. 155-159
  4. DOI: https://doi.org/10.1353/sub.2004.0018
  5. restricted access
  1. Queer Nations: Marginal Sexualities in the Maghreb (review)
  2. Martine Antle
  3. pp. 159-161
  4. DOI: https://doi.org/10.1353/sub.2004.0017
  5. restricted access
  1. Postcolonial Hospitality: The Immigrant as Guest (review)
  2. Dayna Oscherwitz
  3. pp. 161-165
  4. DOI: https://doi.org/10.1353/sub.2004.0027
  5. restricted access
  1. Disenchanting Les Bons Temps: Identity and Authenticity in Cajun Music and Dance (review)
  2. Tom Conley
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/sub.2004.0019
  5. restricted access
  1. Introduction: The Art of War According to Lydie Salvayre
  2. Marie-Pascale Huglo
  3. pp. 3-9
  4. DOI: https://doi.org/10.1353/sub.2004.0023
  5. restricted access
  1. Contributors
  2. pp. 168-169
  3. DOI: https://doi.org/10.1353/sub.2004.0020
  4. restricted access