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Table of Contents

  1. Editor's Column
  2. James Phelan
  3. pp. 231-232
  4. DOI: https://doi.org/10.1353/nar.2004.0015
  5. restricted access
  1. The Presence of Allegory: The Case of Philip Roth's American Pastoral
  2. Gary Chase Johnson
  3. pp. 233-248
  4. DOI: https://doi.org/10.1353/nar.2004.0014
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  1. Obscured Beginnings in Personal Narratives of Sexual Jealousy and Trauma
  2. Mark E. Workman
  3. pp. 249-262
  4. DOI: https://doi.org/10.1353/nar.2004.0017
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  1. "Ten minutes for Seven Letters": Song as Key to Narrative Revision in Toni Morrison's Beloved
  2. Joanna Wolfe
  3. pp. 263-280
  4. DOI: https://doi.org/10.1353/nar.2004.0016
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  1. Ethical Engagements over Time: Reading and Rereading David Copperfield and Wuthering Heights
  2. Marshall W. Gregory
  3. pp. 281-305
  4. DOI: https://doi.org/10.1353/nar.2004.0013
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  1. Some Problems with the Concept of the Narrator in Bortolussi and Dixon's Psychonarratology
  2. Nilli Diengott
  3. pp. 306-316
  4. DOI: https://doi.org/10.1353/nar.2004.0011
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  1. Methods and Evidence in Psychonarratology and the Theory of the Narrator: Reply to Diengott
  2. Marisa Bortolussi, Peter Dixon
  3. pp. 317-325
  4. DOI: https://doi.org/10.1353/nar.2004.0010
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  1. Erratum
  3. p. iv
  4. DOI: https://doi.org/10.1353/nar.2004.0012
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