1. Death by Gramophone
  2. Sebastian D. G. Knowles
  3. pp. 1-13
  4. DOI: 10.1353/jml.2004.0060
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  1. T.S. Eliot's Bawdy Verse: Lulu, Bolo and More Ties
  2. Loretta Johnson
  3. pp. 14-25
  4. DOI: 10.1353/jml.2004.0059
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  1. In Search of Genius: T.S. Eliot as Publisher
  2. Suman Gupta
  3. pp. 26-35
  4. DOI: 10.1353/jml.2004.0058
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  1. "My Sweeney, Mr. Eliot": Anne Sexton and the "Impersonal theory of Poetry"
  2. Joanna Gill
  3. pp. 36-56
  4. DOI: 10.1353/jml.2004.0055
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  1. Porphyro's Rose: Keats and T.S. Eliot's "The Metaphysical Poets"
  2. Christopher Paul Baker
  3. pp. 57-62
  4. DOI: 10.1353/jml.2004.0051
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  1. Did Eliot Know Hulme? Final Answer
  2. Ronald Schuchard
  3. pp. 63-69
  4. DOI: 10.1353/jml.2004.0067
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  1. Frost's North of Boston, Its Language, Its People, and Its Poet
  2. David Sanders
  3. pp. 70-78
  4. DOI: 10.1353/jml.2004.0066
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  1. Ezra Pound / Ming Mao: A Liberal Disciple of Confucius
  2. Feng Lan
  3. pp. 79-89
  4. DOI: 10.1353/jml.2004.0061
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  1. America in Ezra Pound's Posthumous Cantos
  2. Massimo Bacigalupo
  3. pp. 90-104
  4. DOI: 10.1353/jml.2004.0050
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  1. Virtue in Scraps, Mysterium in Fragments: Robert Graves, Hugh Kenner, and Ezra Pound
  2. Janine Utell
  3. pp. 99-104
  4. DOI: 10.1353/jml.2004.0068
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  1. "Fat! Fat! Fat! Fat!" -- Wallace Stevens's Figurations of Masculinity
  2. Ann Mikkelsen
  3. pp. 105-121
  4. DOI: 10.1353/jml.2004.0063
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  1. "Pure Rhetoric of a Language Without Words": Stevens's Musical Creation of Belief in "Credences of Summer"
  2. Lisa Goldfarb
  3. pp. 122-136
  4. DOI: 10.1353/jml.2004.0056
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  1. "A Curious Cat": Elizabeth Bishop and the Spanish Civil War
  2. Jonathan Ellis
  3. pp. 137-148
  4. DOI: 10.1353/jml.2004.0054
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  1. "Plunder" or "Accessibility to Experience": Consumer Culture and Marianne Moore's Modernist Self-Fashioning
  2. Alison Rieke
  3. pp. 149-170
  4. DOI: 10.1353/jml.2004.0065
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  1. Not Drowning But Waving: Stevie Smith and the Language of the Lake
  2. J. Edward Mallot
  3. pp. 171-187
  4. DOI: 10.1353/jml.2004.0062
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  1. Being Sylvia Being Ted Being Dylan: Plath's "The Snowman on the Moor"
  2. John Gordon
  3. pp. 188-192
  4. DOI: 10.1353/jml.2004.0057
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  1. Coteries, Landscape and the Sublime in Allen Ginsberg
  2. Justin Quinn
  3. pp. 193-206
  4. DOI: 10.1353/jml.2004.0064
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  1. Modernism's Objects
  2. Timothy Carmody
  3. pp. 207-210
  4. DOI: 10.1353/jml.2004.0052
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  1. Editor's Introduction: Modern Poetry
  2. Jean-Michel Rabaté
  3. pp. v-vi
  4. DOI: 10.1353/jml.2004.0053
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  1. Contributors
  2. pp. 212-213
  3. DOI: 10.1353/jml.2004.0049
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