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  Volume 4, Number 1, Spring 2004

Table of Contents

From: The Moving Image

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Editor's Foreword

pp. vi-viii
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Coeditor's Foreword

pp. ix-xi
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Features

"Showing Different Films Differently": Cinema as a Result of Cinematic Thinking

pp. xii, 1-16
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Curating and Pedagogy in the Strange Time of Short Film and Video Exhibition

pp. 17-33
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The Ethical Presenter: Or How to Have Good Arguments over Dinner

pp. 34-47
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Vision, Authority, Context: Cornerstones of Curation and Programming

pp. 48-59
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A Curator's Conundrum: Programming "Black Film" in 1980s-1990s Britain

pp. 60-75
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Film Festivals, Programming, and the Building of a National Cinema

pp. 76-88
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Lumiere's Arrival of the Train: Cinema's Founding Myth

pp. 89-118
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Forum

Nitrate Machos vs. Nitrate Nellies: Buccaneer Days at the UCLA Film and Television Archive

pp. 119-129
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"Some bald assertion by an ignorant and badly educated Frenchman": Technology, Film Criticism, and the "Restoration" of Vertigo (1996)

pp. 130-141
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Reviews

Cinemania (review)

pp. 142-145
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Capturing the Friedmans (review)

pp. 145-148
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Le Joueur d'Echecs/The Chess Player (review)

pp. 149-151
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This Film Is Dangerous: A Celebration of Nitrate Film (review)

pp. 152-154
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North of Everything: English-Canadian Cinema since 1980 (review)

pp. 154-157
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The New Media Book (review)

pp. 157-159
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Wondrous Difference: Cinema, Anthropology, and Turn-of-the-Century Visual Culture (review)

pp. 159-161
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Celluloid Goes Digital: Historical-Critical Editions of Films on DVD and the Internet: Proceedings of the First International Trier Conference on Film and New Media, October 2002 (review)

pp. 161-164
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The Lives of Lola Montes: A Report from the Max Ophuls Beyond Borders Conference

pp. 165-168
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Contributors

Contributors

pp. 169-171
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Research Areas

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