1. Curating and Pedagogy in the Strange Time of Short Film and Video Exhibition
  2. Karyn Sandlos
  3. pp. 17-33
  4. DOI: 10.1353/mov.2004.0019
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  1. The Ethical Presenter: Or How to Have Good Arguments over Dinner
  2. Laura U. Marks
  3. pp. 34-47
  4. DOI: 10.1353/mov.2004.0016
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  1. Vision, Authority, Context: Cornerstones of Curation and Programming
  2. Mark Haslam
  3. pp. 48-59
  4. DOI: 10.1353/mov.2004.0010
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  1. A Curator's Conundrum: Programming "Black Film" in 1980s-1990s Britain
  2. June Givanni
  3. pp. 60-75
  4. DOI: 10.1353/mov.2004.0008
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  1. Film Festivals, Programming, and the Building of a National Cinema
  2. Liz Czach
  3. pp. 76-88
  4. DOI: 10.1353/mov.2004.0004
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  1. Lumiere's Arrival of the Train: Cinema's Founding Myth
  2. Martin Loiperdinger, Bernd Elzer
  3. pp. 89-118
  4. DOI: 10.1353/mov.2004.0014
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  1. Nitrate Machos vs. Nitrate Nellies: Buccaneer Days at the UCLA Film and Television Archive
  2. Robert S. Birchard
  3. pp. 119-129
  4. DOI: 10.1353/mov.2004.0001
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  1. Cinemania (review)
  2. Jennifer Ormson
  3. pp. 142-145
  4. DOI: 10.1353/mov.2004.0017
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  1. Capturing the Friedmans (review)
  2. Snowden Becker
  3. pp. 145-148
  4. DOI: 10.1353/mov.2004.0002
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  1. Le Joueur d'Echecs/The Chess Player (review)
  2. Maureen Furniss
  3. pp. 149-151
  4. DOI: 10.1353/mov.2004.0007
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  1. This Film Is Dangerous: A Celebration of Nitrate Film (review)
  2. Janice Simpson
  3. pp. 152-154
  4. DOI: 10.1353/mov.2004.0020
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  1. North of Everything: English-Canadian Cinema since 1980 (review)
  2. David Lemieux
  3. pp. 154-157
  4. DOI: 10.1353/mov.2004.0013
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  1. The New Media Book (review)
  2. Richard L. Edwards
  3. pp. 157-159
  4. DOI: 10.1353/mov.2004.0005
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  1. Wondrous Difference: Cinema, Anthropology, and Turn-of-the-Century Visual Culture (review)
  2. Sophia Siddique Harvey
  3. pp. 159-161
  4. DOI: 10.1353/mov.2004.0009
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  1. The Lives of Lola Montes: A Report from the Max Ophuls Beyond Borders Conference
  2. Gabriel M. Paletz
  3. pp. 165-168
  4. DOI: 10.1353/mov.2004.0018
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  1. Editor's Foreword
  2. Jan-Christopher Horak
  3. pp. vi-viii
  4. DOI: 10.1353/mov.2004.0012
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  1. Coeditor's Foreword
  2. Laura U. Marks
  3. pp. ix-xi
  4. DOI: 10.1353/mov.2004.0015
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  1. Contributors
  2. pp. 169-171
  3. DOI: 10.1353/mov.2004.0003
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  1. "Showing Different Films Differently": Cinema as a Result of Cinematic Thinking
  2. Stefanie Schulte Strathaus, Nanna Heidenreich, Rett Rossi
  3. pp. xii, 1-16
  4. DOI: 10.1353/mov.2004.0021
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