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  Volume 4, Number 1, Spring 2004

Table of Contents

From: The Moving Image

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Editor's Foreword

pp. vi-viii | DOI: 10.1353/mov.2004.0012

Coeditor's Foreword

pp. ix-xi | DOI: 10.1353/mov.2004.0015

Features

"Showing Different Films Differently": Cinema as a Result of Cinematic Thinking

pp. xii, 1-16 | DOI: 10.1353/mov.2004.0021

Curating and Pedagogy in the Strange Time of Short Film and Video Exhibition

pp. 17-33 | DOI: 10.1353/mov.2004.0019

The Ethical Presenter: Or How to Have Good Arguments over Dinner

pp. 34-47 | DOI: 10.1353/mov.2004.0016

Vision, Authority, Context: Cornerstones of Curation and Programming

pp. 48-59 | DOI: 10.1353/mov.2004.0010

A Curator's Conundrum: Programming "Black Film" in 1980s-1990s Britain

pp. 60-75 | DOI: 10.1353/mov.2004.0008

Film Festivals, Programming, and the Building of a National Cinema

pp. 76-88 | DOI: 10.1353/mov.2004.0004

Lumiere's Arrival of the Train: Cinema's Founding Myth

pp. 89-118 | DOI: 10.1353/mov.2004.0014

Forum

Nitrate Machos vs. Nitrate Nellies: Buccaneer Days at the UCLA Film and Television Archive

pp. 119-129 | DOI: 10.1353/mov.2004.0001

"Some bald assertion by an ignorant and badly educated Frenchman": Technology, Film Criticism, and the "Restoration" of Vertigo (1996)

pp. 130-141 | DOI: 10.1353/mov.2004.0006

Reviews

Cinemania (review)

pp. 142-145 | DOI: 10.1353/mov.2004.0017

Capturing the Friedmans (review)

pp. 145-148 | DOI: 10.1353/mov.2004.0002

Le Joueur d'Echecs/The Chess Player (review)

pp. 149-151 | DOI: 10.1353/mov.2004.0007

This Film Is Dangerous: A Celebration of Nitrate Film (review)

pp. 152-154 | DOI: 10.1353/mov.2004.0020

North of Everything: English-Canadian Cinema since 1980 (review)

pp. 154-157 | DOI: 10.1353/mov.2004.0013

The New Media Book (review)

pp. 157-159 | DOI: 10.1353/mov.2004.0005

Wondrous Difference: Cinema, Anthropology, and Turn-of-the-Century Visual Culture (review)

pp. 159-161 | DOI: 10.1353/mov.2004.0009

Celluloid Goes Digital: Historical-Critical Editions of Films on DVD and the Internet: Proceedings of the First International Trier Conference on Film and New Media, October 2002 (review)

pp. 161-164 | DOI: 10.1353/mov.2004.0011

The Lives of Lola Montes: A Report from the Max Ophuls Beyond Borders Conference

pp. 165-168 | DOI: 10.1353/mov.2004.0018

Contributors

Contributors

pp. 169-171 | DOI: 10.1353/mov.2004.0003

Research Areas

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