1. Talking About Art: the French Royal Academy Salons and the Formation of the Discursive Citizen
  2. William Ray
  3. pp. 527-552
  4. DOI: 10.1353/ecs.2004.0047
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  1. Visions of Tragedy: Jean-Francois Ducis and Jacques-Louis David
  2. Mark Ledbury
  3. pp. 553-580
  4. DOI: 10.1353/ecs.2004.0045
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  1. Reading the Walls: Pictorial Dialogue at the Eighteenth-Century Royal Academy
  2. Mark Hallett
  3. pp. 581-604
  4. DOI: 10.1353/ecs.2004.0042
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  1. Infant Academies and the Childhood of Art: Elisabeth Vigee-Lebrun's Julie with a Mirror
  2. Angela Rosenthal
  3. pp. 605-628
  4. DOI: 10.1353/ecs.2004.0048
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  1. Amelia Opie's "Maid of Corinth" and the Origins of Art
  2. Shelley King
  3. pp. 629-651
  4. DOI: 10.1353/ecs.2004.0044
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  1. Veneers of Authority: Chinese Lacquers in Maria Theresa's Vienna
  2. Michael Elia Yonan
  3. pp. 652-672
  4. DOI: 10.1353/ecs.2004.0050
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  1. Aposiopesis and After
  2. Frank Felsenstein
  3. pp. 673-677
  4. DOI: 10.1353/ecs.2004.0040
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  1. Rousseau, Authorship, and Revolution
  2. Johnson Kent Wright
  3. pp. 677-682
  4. DOI: 10.1353/ecs.2004.0049
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  1. Boudaries of the Self; Crises of Mind and Body
  2. Maximillian E. Novak
  3. pp. 683-686
  4. DOI: 10.1353/ecs.2004.0046
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  1. The Art of Noise: The Cries of London and Dublin
  2. Philip Cottrell
  3. pp. 686-688
  4. DOI: 10.1353/ecs.2004.0038
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  1. Ideas of Enlightenment
  2. Diane Rogers Fourny
  3. pp. 689-692
  4. DOI: 10.1353/ecs.2004.0041
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  1. Switzerland in the Eighteenth Century: Myth and Reality
  2. Simone Zurbuchen
  3. pp. 692-694
  4. DOI: 10.1353/ecs.2004.0051
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  1. Volume Table of Contents
  2. pp. 703-705
  3. DOI: 10.1353/ecs.2004.0043
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  1. Books Received
  2. pp. 695-699
  3. DOI: 10.1353/ecs.2004.0039
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