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Table of Contents

  1. Ethnographic Transcription and Music Ideology in Haiti: The Music of Werner A. Jaegerhuber
  2. Michael D. Largey
  3. pp. 1-31
  4. DOI: https://doi.org/10.1353/lat.2004.0005
  5. restricted access
  1. Performing Gender in the Trinidad Calypso
  2. Hope Munro Smith
  3. pp. 32-56
  4. DOI: https://doi.org/10.1353/lat.2004.0008
  5. restricted access
  1. Crear y sentir lo nuestro: La Mision Peruana de Arte Incaico y el impulso de la produccion artistico-folklorica en Cusco
  2. Zoila S. Mendoza
  3. pp. 57-77
  4. DOI: https://doi.org/10.1353/lat.2004.0006
  5. restricted access
  1. Identidad, arqueologia e industrias transnacionales: la musica de Joe Vasconcellos
  2. Walescka Pino-Ojeda
  3. pp. 78-99
  4. DOI: https://doi.org/10.1353/lat.2004.0007
  5. restricted access
  1. Operas e Magicas em Teatros e Saloes no Rio de Janeiro--Final do Seculo XIX, Inicio do Seculo XX
  2. Vanda Lima Bellard Freire
  3. pp. 100-118
  4. DOI: https://doi.org/10.1353/lat.2004.0003
  5. restricted access
  1. Reclaiming African Religions in Trinidad: the Socio-Political Legitimation of the Orisha and Spiritual Baptist Faiths (review)
  2. Hope Munro Smith
  3. pp. 119-121
  4. DOI: https://doi.org/10.1353/lat.2004.0009
  5. restricted access
  1. Musical Cultures of Latin America: Global Effects, Past and Present (review)
  2. Juan Pablo Gonzales
  3. pp. 121-126
  4. DOI: https://doi.org/10.1353/lat.2004.0004
  5. restricted access
  1. Cantoria nordestina: musica e palavra (review)
  2. Elizabeth Travassos
  3. pp. 126-129
  4. DOI: https://doi.org/10.1353/lat.2004.0010
  5. restricted access
  1. Communications and Announcements
  3. pp. 130-133
  4. DOI: https://doi.org/10.1353/lat.2004.0001
  5. restricted access
  1. Contributors
  3. pp. 134-135
  4. DOI: https://doi.org/10.1353/lat.2004.0002
  5. restricted access