Volume 56, Number 2, May 2004

Table of Contents

From: Theatre Journal

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Editorial Comment

pp. vii-viii
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The Spectacle of the Scaffolding: Rape and the Violent Foundations of Medieval Theatre Studies

pp. 163-181
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Clockwise-Counterclockwise (The Vowelless Revolution)

pp. 183-203
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Unveiling the Void: The Presence of Absence in the Scenography of Jean Genet's The Screens

pp. 205-224
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"sneakin' and spyin'" from Broadway to the Beltway: Cold War Masculinity, Brick, and Homosexual Existentialism

pp. 225-249
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Ong Keng Sen's Desdemona, Ugliness, and the Intercultural Performative

pp. 251-273
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Doctoral Projects in Progress in Theatre Arts, 2004

pp. 275-279
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Performance Reviews

Nothin' Beats Pussy (review)

pp. 281-283
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Jobox (review)

pp. 283-284
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How Do You Keep Talking Even When You've Said Everything You Thought Possible?, and: Bed Full of Songs (review)

pp. 284-287
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Live Culture (review)

pp. 287-289
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The 40th Theatertreffen (review)

pp. 289-293
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Festival Theatre des Ameriques (Montreal) (review)

pp. 293-296
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Avignon Theatre Festival Strike (review)

pp. 296-299
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8 by Tenn (review)

pp. 299-301
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Waiting for Godot (review)

pp. 301-303
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Henry IV, Part One (review)

pp. 303-304
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Salome: The Reading (review)

pp. 305-306
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Beckett/Albee (review)

pp. 306-308
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Democracy (review)

pp. 308-309
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We Will Rock You (review)

pp. 310-311
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Beauty (review)

pp. 311-313
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Avenue Q (review)

pp. 313-314
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Live Nude Bouffons, and: Quinnopolis vs. Hamlet (review)

pp. 314-316
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The Hanging Man (review)

pp. 317-319
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The Secret in the Wings (review)

pp. 319-320
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Book Reviews

A Queer Sort of Materialism: Recontextualizing American Theatre (review)

pp. 321-322
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Shakespeare and the Force of Modern Performance (review)

pp. 322-323
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Theatrical Convention and Audience Response in Early Modern Drama (review)

pp. 323-324
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Not Shakespeare: Bardolatry and Burlesque in the Nineteenth Century (review)

pp. 325-326
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Peter Sellars (review)

pp. 326-327
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The Stage Life of Props (review)

pp. 327-328
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Staging America: Cornerstone and Community-Based Theater (review)

pp. 328-330
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Peering Behind the Curtain: Disability, Illness, and the Extraordinary Body in Contemporary Theater (review)

pp. 330-331
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The Staging of Drama in the Medieval Church (review)

pp. 331-332
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The Cambridge History of Medieval English Literature (review)

pp. 333-334
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The Showman and the Slave: Race, Death, and Memory in Barnum's America (review)

pp. 334-335
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The New York Concert Saloon: The Devil's Own Nights (review)

pp. 335-336
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Contours of the Theatrical Avant-Garde: Performance and Textuality (review)

pp. 336-338
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Theatre of Sound: Radio and the Dramatic Imagination (review)

pp. 338-339
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Black Theatre: Ritual Performance in the African Diaspora (review)

pp. 339-340
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Auto/Archive

The Theatre Journal Auto / Archive: Laurence Senelick

pp. 341-349
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