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  Volume 56, Number 2, May 2004

Table of Contents

From: Theatre Journal

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Editorial Comment

pp. vii-viii | DOI: 10.1353/tj.2004.0051

The Spectacle of the Scaffolding: Rape and the Violent Foundations of Medieval Theatre Studies

pp. 163-181 | DOI: 10.1353/tj.2004.0052

Clockwise-Counterclockwise (The Vowelless Revolution)

pp. 183-203 | DOI: 10.1353/tj.2004.0058

Unveiling the Void: The Presence of Absence in the Scenography of Jean Genet's The Screens

pp. 205-224 | DOI: 10.1353/tj.2004.0055

"sneakin' and spyin'" from Broadway to the Beltway: Cold War Masculinity, Brick, and Homosexual Existentialism

pp. 225-249 | DOI: 10.1353/tj.2004.0042

Ong Keng Sen's Desdemona, Ugliness, and the Intercultural Performative

pp. 251-273 | DOI: 10.1353/tj.2004.0065

Doctoral Projects in Progress in Theatre Arts, 2004

pp. 275-279 | DOI: 10.1353/tj.2004.0050

Performance Reviews

Nothin' Beats Pussy (review)

pp. 281-283 | DOI: 10.1353/tj.2004.0076

Jobox (review)

pp. 283-284 | DOI: 10.1353/tj.2004.0054

How Do You Keep Talking Even When You've Said Everything You Thought Possible?, and: Bed Full of Songs (review)

pp. 284-287 | DOI: 10.1353/tj.2004.0056

Live Culture (review)

pp. 287-289 | DOI: 10.1353/tj.2004.0079

The 40th Theatertreffen (review)

pp. 289-293 | DOI: 10.1353/tj.2004.0070

Festival Theatre des Ameriques (Montreal) (review)

pp. 293-296 | DOI: 10.1353/tj.2004.0064

Avignon Theatre Festival Strike (review)

pp. 296-299 | DOI: 10.1353/tj.2004.0072

8 by Tenn (review)

pp. 299-301 | DOI: 10.1353/tj.2004.0061

Waiting for Godot (review)

pp. 301-303 | DOI: 10.1353/tj.2004.0078

Henry IV, Part One (review)

pp. 303-304 | DOI: 10.1353/tj.2004.0060

Salome: The Reading (review)

pp. 305-306 | DOI: 10.1353/tj.2004.0046

Beckett/Albee (review)

pp. 306-308 | DOI: 10.1353/tj.2004.0069

Democracy (review)

pp. 308-309 | DOI: 10.1353/tj.2004.0081

We Will Rock You (review)

pp. 310-311 | DOI: 10.1353/tj.2004.0071

Beauty (review)

pp. 311-313 | DOI: 10.1353/tj.2004.0049

Avenue Q (review)

pp. 313-314 | DOI: 10.1353/tj.2004.0075

Live Nude Bouffons, and: Quinnopolis vs. Hamlet (review)

pp. 314-316 | DOI: 10.1353/tj.2004.0062

The Hanging Man (review)

pp. 317-319 | DOI: 10.1353/tj.2004.0053

The Secret in the Wings (review)

pp. 319-320 | DOI: 10.1353/tj.2004.0040

Book Reviews

A Queer Sort of Materialism: Recontextualizing American Theatre (review)

pp. 321-322 | DOI: 10.1353/tj.2004.0074

Shakespeare and the Force of Modern Performance (review)

pp. 322-323 | DOI: 10.1353/tj.2004.0068

Theatrical Convention and Audience Response in Early Modern Drama (review)

pp. 323-324 | DOI: 10.1353/tj.2004.0047

Not Shakespeare: Bardolatry and Burlesque in the Nineteenth Century (review)

pp. 325-326 | DOI: 10.1353/tj.2004.0066

Peter Sellars (review)

pp. 326-327 | DOI: 10.1353/tj.2004.0043

The Stage Life of Props (review)

pp. 327-328 | DOI: 10.1353/tj.2004.0063

Staging America: Cornerstone and Community-Based Theater (review)

pp. 328-330 | DOI: 10.1353/tj.2004.0080

Peering Behind the Curtain: Disability, Illness, and the Extraordinary Body in Contemporary Theater (review)

pp. 330-331 | DOI: 10.1353/tj.2004.0057

The Staging of Drama in the Medieval Church (review)

pp. 331-332 | DOI: 10.1353/tj.2004.0048

The Cambridge History of Medieval English Literature (review)

pp. 333-334 | DOI: 10.1353/tj.2004.0041

The Showman and the Slave: Race, Death, and Memory in Barnum's America (review)

pp. 334-335 | DOI: 10.1353/tj.2004.0067

The New York Concert Saloon: The Devil's Own Nights (review)

pp. 335-336 | DOI: 10.1353/tj.2004.0044

Contours of the Theatrical Avant-Garde: Performance and Textuality (review)

pp. 336-338 | DOI: 10.1353/tj.2004.0077

Theatre of Sound: Radio and the Dramatic Imagination (review)

pp. 338-339 | DOI: 10.1353/tj.2004.0059

Black Theatre: Ritual Performance in the African Diaspora (review)

pp. 339-340 | DOI: 10.1353/tj.2004.0045

Auto/Archive

The Theatre Journal Auto / Archive: Laurence Senelick

pp. 341-349 | DOI: 10.1353/tj.2004.0073

Research Areas

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