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  Volume 56, Number 2, May 2004

Table of Contents

From: Theatre Journal

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Editorial Comment

pp. vii-viii

The Spectacle of the Scaffolding: Rape and the Violent Foundations of Medieval Theatre Studies

pp. 163-181

Clockwise-Counterclockwise (The Vowelless Revolution)

pp. 183-203

Unveiling the Void: The Presence of Absence in the Scenography of Jean Genet's The Screens

pp. 205-224

"sneakin' and spyin'" from Broadway to the Beltway: Cold War Masculinity, Brick, and Homosexual Existentialism

pp. 225-249

Ong Keng Sen's Desdemona, Ugliness, and the Intercultural Performative

pp. 251-273

Doctoral Projects in Progress in Theatre Arts, 2004

pp. 275-279

Performance Reviews

Nothin' Beats Pussy (review)

pp. 281-283

Jobox (review)

pp. 283-284

How Do You Keep Talking Even When You've Said Everything You Thought Possible?, and: Bed Full of Songs (review)

pp. 284-287

Live Culture (review)

pp. 287-289

The 40th Theatertreffen (review)

pp. 289-293

Festival Theatre des Ameriques (Montreal) (review)

pp. 293-296

Avignon Theatre Festival Strike (review)

pp. 296-299

8 by Tenn (review)

pp. 299-301

Waiting for Godot (review)

pp. 301-303

Henry IV, Part One (review)

pp. 303-304

Salome: The Reading (review)

pp. 305-306

Beckett/Albee (review)

pp. 306-308

Democracy (review)

pp. 308-309

We Will Rock You (review)

pp. 310-311

Beauty (review)

pp. 311-313

Avenue Q (review)

pp. 313-314

Live Nude Bouffons, and: Quinnopolis vs. Hamlet (review)

pp. 314-316

The Hanging Man (review)

pp. 317-319

The Secret in the Wings (review)

pp. 319-320

Book Reviews

A Queer Sort of Materialism: Recontextualizing American Theatre (review)

pp. 321-322

Shakespeare and the Force of Modern Performance (review)

pp. 322-323

Theatrical Convention and Audience Response in Early Modern Drama (review)

pp. 323-324

Not Shakespeare: Bardolatry and Burlesque in the Nineteenth Century (review)

pp. 325-326

Peter Sellars (review)

pp. 326-327

The Stage Life of Props (review)

pp. 327-328

Staging America: Cornerstone and Community-Based Theater (review)

pp. 328-330

Peering Behind the Curtain: Disability, Illness, and the Extraordinary Body in Contemporary Theater (review)

pp. 330-331

The Staging of Drama in the Medieval Church (review)

pp. 331-332

The Cambridge History of Medieval English Literature (review)

pp. 333-334

The Showman and the Slave: Race, Death, and Memory in Barnum's America (review)

pp. 334-335

The New York Concert Saloon: The Devil's Own Nights (review)

pp. 335-336

Contours of the Theatrical Avant-Garde: Performance and Textuality (review)

pp. 336-338

Theatre of Sound: Radio and the Dramatic Imagination (review)

pp. 338-339

Black Theatre: Ritual Performance in the African Diaspora (review)

pp. 339-340


The Theatre Journal Auto / Archive: Laurence Senelick

pp. 341-349

Research Areas


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