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Table of Contents

  1. Once Again, This Time with Feeling
  2. Stephen Davies
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/jae.2004.0013
  5. restricted access
  1. Evaluating a Performance -- Ideal vs. Great Performance
  2. Gilead Bar-Elli
  3. pp. 7-19
  4. DOI: https://doi.org/10.1353/jae.2004.0011
  5. restricted access
  1. Aesthetic Teaching
  2. Mark A. Pike
  3. pp. 20-37
  4. DOI: https://doi.org/10.1353/jae.2004.0020
  5. restricted access
  1. Artist-Audience Communication: Tolstoy Reclaimed
  2. Saam Trivedi
  3. pp. 38-52
  4. DOI: https://doi.org/10.1353/jae.2004.0022
  5. restricted access
  1. Art Selection, or the Preservation of Artworks in the Struggle for Art
  2. Christopher Perricone
  3. pp. 53-66
  4. DOI: https://doi.org/10.1353/jae.2004.0019
  5. restricted access
  1. In Celebration of Imperfection
  2. David E. W. Fenner
  3. pp. 67-79
  4. DOI: https://doi.org/10.1353/jae.2004.0015
  5. restricted access
  1. The Beauty of Henri Matisse
  2. David Carrier
  3. pp. 80-87
  4. DOI: https://doi.org/10.1353/jae.2004.0012
  5. restricted access
  1. A Postmodern Tonantzin
  2. Jane Duran
  3. pp. 88-94
  4. DOI: https://doi.org/10.1353/jae.2004.0014
  5. restricted access
  1. Rosalind Krauss, David Carrier, and Philosophical Art Criticism
  2. Daniel A. Siedell
  3. pp. 95-105
  4. DOI: https://doi.org/10.1353/jae.2004.0021
  5. restricted access
  1. Art History in the Age of Bellori: Scholarship and Cultural Politics in Seventeenth-Century Rome (review)
  2. Giles Knox
  3. pp. 116-120
  4. DOI: https://doi.org/10.1353/jae.2004.0017
  5. restricted access
  1. Pictures and Tears: A History of People Who Have Cried in Front of Paintings (review)
  2. Kevin A. Morrison
  3. pp. 120-124
  4. DOI: https://doi.org/10.1353/jae.2004.0018
  5. restricted access