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Table of Contents

  1. Forgery in the Music Library: A Cautionary Tale
  2. Gillian B. Anderson, Kathryn Miller Haines, Deane L. Root, Kate Van Winkle Keller, Jean K. Wolf, Brad Young
  3. pp. 865-892
  4. DOI: https://doi.org/10.1353/not.2004.0046
  5. restricted access
  1. Electronic Theses and Dissertations in Music
  2. Yale Fineman
  3. pp. 893-907
  4. DOI: https://doi.org/10.1353/not.2004.0053
  5. restricted access
  1. Necrology Index
  2. Paul Hahn
  3. pp. 908-920
  4. DOI: https://doi.org/10.1353/not.2004.0067
  5. restricted access
  1. Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court (review)
  2. Stephanie P. Schlagel
  3. pp. 929-931
  4. DOI: https://doi.org/10.1353/not.2004.0072
  5. restricted access
  1. A History of the Harpsichord (review)
  2. Denzil Wraight
  3. pp. 931-933
  4. DOI: https://doi.org/10.1353/not.2004.0081
  5. restricted access
  1. The Keyboard in Baroque Europe (review)
  2. Candace Lea Bailey
  3. pp. 933-935
  4. DOI: https://doi.org/10.1353/not.2004.0047
  5. restricted access
  1. The Sounds of Milan, 1585-1650 (review)
  2. Jonathan Emmanuel Glixon
  3. pp. 935-937
  4. DOI: https://doi.org/10.1353/not.2004.0054
  5. restricted access
  1. Aesthetics of Opera in the Ancien Regime, 1647-1785 (review)
  2. Rose A. Pruiksma
  3. pp. 937-939
  4. DOI: https://doi.org/10.1353/not.2004.0070
  5. restricted access
  1. La revolution des Bouffons: l'opera italien au Theatre de Monsieur 1789-1792 (review)
  2. Downing A. Thomas
  3. pp. 939-941
  4. DOI: https://doi.org/10.1353/not.2004.0079
  5. restricted access
  1. Berlioz: Past, Present, Future: Bicentenary Essays (review)
  2. Frank Heidlberger
  3. pp. 941-943
  4. DOI: https://doi.org/10.1353/not.2004.0056
  5. restricted access
  1. Tradition and Style in the Works of Darius Milhaud 1912-1939 (review)
  2. Leslie Sprout
  3. pp. 944-946
  4. DOI: https://doi.org/10.1353/not.2004.0076
  5. restricted access
  1. Black, Blanc, Beur: Rap Music and Hip-Hop Culture in the Francophone World (review)
  2. Serge Lacasse
  3. pp. 946-948
  4. DOI: https://doi.org/10.1353/not.2004.0059
  5. restricted access
  1. Making Music in the Arab World: The Culture and Artistry of Tarab (review)
  2. Nicole LeCorgne
  3. pp. 948-950
  4. DOI: https://doi.org/10.1353/not.2004.0060
  5. restricted access
  1. Fiddling Way Out Yonder: The Life and Music of Melvin Wine (review)
  2. Alec McLane
  3. pp. 950-953
  4. DOI: https://doi.org/10.1353/not.2004.0063
  5. restricted access
  1. Analyzing Popular Music (review)
  2. Lori Burns
  3. pp. 953-955
  4. DOI: https://doi.org/10.1353/not.2004.0049
  5. restricted access
  1. Mainlines, Blood Feasts, and Bad Taste: A Lester Bangs Reader (review)
  2. John J. Sheinbaum
  3. pp. 956-958
  4. DOI: https://doi.org/10.1353/not.2004.0073
  5. restricted access
  1. Music in European Capitals: The Galant Style 1720-1780 (review)
  2. Mary Sue Morrow
  3. pp. 958-961
  4. DOI: https://doi.org/10.1353/not.2004.0064
  5. restricted access
  1. Analyzing Bach Cantatas (review)
  2. Calvin Stapert
  3. pp. 961-963
  4. DOI: https://doi.org/10.1353/not.2004.0077
  5. restricted access
  1. Schubert's Goethe Settings (review)
  2. Marjorie Wing Hirsch
  3. pp. 963-965
  4. DOI: https://doi.org/10.1353/not.2004.0057
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  1. From Paris to Peoria: How European Piano Virtuosos Brought Classical Music to the American Heartland (review)
  2. Mark McKnight
  3. pp. 965-967
  4. DOI: https://doi.org/10.1353/not.2004.0062
  5. restricted access
  1. Gustav Mahler: Briefe und Musikautographen aus den Moldenhauer-Archiven in der Bayerischen Staatsbibliothek (review)
  2. James L. Zychowicz
  3. pp. 967-969
  4. DOI: https://doi.org/10.1353/not.2004.0082
  5. restricted access
  1. Amerikanismus, Americanism, Weill: Die Suche nach kultureller Identitat in der Moderne (review)
  2. Sabine Feisst
  3. pp. 970-972
  4. DOI: https://doi.org/10.1353/not.2004.0052
  5. restricted access
  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 973-1005
  4. DOI: https://doi.org/10.1353/not.2004.0048
  5. restricted access
  1. Andante (review)
  2. Ned Quist
  3. pp. 1006-1009
  4. DOI: https://doi.org/10.1353/not.2004.0071
  5. restricted access
  1. Classical Music Library (review)
  2. Paul Cary
  3. pp. 1009-1012
  4. DOI: https://doi.org/10.1353/not.2004.0050
  5. restricted access
  1. Sound Recording Reviews
  2. Rick Anderson
  3. pp. 1013-1017
  4. DOI: https://doi.org/10.1353/not.2004.0074
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 1018-1020
  4. DOI: https://doi.org/10.1353/not.2004.0065
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  1. Six Flute Concertos, Op. 10, in Full Score: With Related Concertos for Other Wind Instruments (review)
  2. Michael Talbot
  3. pp. 1021-1024
  4. DOI: https://doi.org/10.1353/not.2004.0078
  5. restricted access
  1. VII. suonate a doi, violino & violadagamba, con cembalo, opera prima, and: VII. suonate a due, violino et violadagamba con cembalo, opera secunda, and: Pieces en trio pour les flutes, violon, & dessus de viole, and: Clavier Uebung bestehend im Praeludio, Fuga, Allemande, Courante, Sarabande und Gigue, and: Harmonice Musices Odhecaton A, and: Six Solos for a Violoncello with a Thorough Bass for the Harpsichord, Opera IX, and: Six Sonatas for Violoncello and Keyboard, Opp. 9 (review)
  2. John Wagstaff
  3. pp. 1024-1028
  4. DOI: https://doi.org/10.1353/not.2004.0080
  5. restricted access
  1. An Anthology of French Operatic Arias for Soprano: 19th Century Repertoire, and: An Anthology of French Operatic Arias for Mezzo-Soprano: 19th Century Repertoire, and: An Anthology of French Operatic Arias for Tenor: 19th Century Repertoire, and: An Anthology of French Operatic Arias for Baritone: 19th Century Repertoire, and: An Anthology of French Operatic Arias for Bass: 19th Century Repertoire (review)
  2. Helen M. Greenwald
  3. pp. 1028-1032
  4. DOI: https://doi.org/10.1353/not.2004.0055
  5. restricted access
  1. Arias for Nancy Storace, Mozart's First Susanna (review)
  2. Constance Mayer
  3. pp. 1032-1034
  4. DOI: https://doi.org/10.1353/not.2004.0061
  5. restricted access
  1. Piano Sonata no. 1, op. 1 (1977), and: Concerto no. 1 for Piano and Orchestra, op. 12, and: Four Apparitions for Piano, op. 17, and: Nocturne No. 2 for Piano, op. 31 (1991), and: Nocturne No. 5 for Piano, op. 55 (1996), and: Nocturne No. 6 for Piano, op. 62, and: Nocturne No. 7 for Piano, op. 65, and: Three Impromptus for Piano, op. 68, and: Variations on a Theme by Mozart for Two Pianos, op. 42 (review)
  2. William T. Spiller
  3. pp. 1034-1049
  4. DOI: https://doi.org/10.1353/not.2004.0075
  5. restricted access
  1. Basic Organ Works: Orgelbuchlein; Three Free Works, and: Late-Medieval before 1460, and: Italy, 1550-1650, and: England, 1550-1660, and: England, 1660-1730, and: England, 1730-1830, and: Complete Works for Keyboard Instrument, and: Two-Part Inventions (BWV 772-786) and Four Duets (BWV 802-805), and: Premier livre d'orgue contenant deux suites du 1er et du 2e ton = First Organ Book Containing Two Suites in Tone I and Tone II, and: The Complete Organ Works, and: God Save the King ("My Country 'Tis of Thee" or "America") for Organ (review)
  2. Myron B. Patterson
  3. pp. 1039-1046
  4. DOI: https://doi.org/10.1353/not.2004.0069
  5. restricted access
  1. Communications
  2. Daniel E. Mathers, Robert Carl
  3. p. 1056
  4. DOI: https://doi.org/10.1353/not.2004.0051
  5. restricted access
  1. Index to Volume 60: September 2003 through June 2004
  2. Martin Jenkins
  3. pp. 1098-1114
  4. DOI: https://doi.org/10.1353/not.2004.0058
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  1. Notes for NOTES
  3. pp. 921-928
  4. DOI: https://doi.org/10.1353/not.2004.0068
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  1. Music Received
  2. David Knapp
  3. pp. 1047-1055
  4. DOI: https://doi.org/10.1353/not.2004.0066
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