restricted access   Volume 48, Number 2 (T 182), Summer 2004

Table of Contents

From: TDR: The Drama Review

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The Big Issues and the Happy Few

pp. 6-8

Letters, Ect.

Letters, Etc.

pp. 9-10

response to Richard Schechner

Scheherezade Goes West: A Performance

pp. 11-15

Scheherezade Goes West

pp. 15-23

Caribbean Bodies, Migrations, and Spaces of Resistance

pp. 24-32

"Busing It" in the City: Black Youth, Performance and Public Transit

pp. 33-48

Anna Halprin's Urban Rituals

pp. 49-67

Critical Acts

A Window on the World: A Remote Corner of Asia Puts on a Play about 9/11

pp. 68-75

Sniff Art

pp. 76-80

Why Did the Chicken Cross the Cultural Divide?: Brett Bailey and Third World Bunfight's iMumbo Jumbo

pp. 80-90

Challenging Nostalgia: Unveiling the Ghost of Seattle's Nippon Kan

pp. 91-107

"Where's My Parade?": Margaret Cho and the Asian American Body in Space

pp. 108-132

The Voice in the Mask

pp. 133-138

Don't Want to Be This: The Elusive Sarah Kane

pp. 139-171


Vanishing Women: Magic, Film, and Feminism (review)

pp. 172-174

Susan Glaspell in Context: American Theater, Culture, and Politics 1915-48 (review)

pp. 174-178

The Women of Provincetown: 1915-1922 (review)

pp. 178-179

Political Stages: Plays That Shaped a Century (review)

pp. 180-181

Yvonne Rainer: Radical Juxtapositions 1961-2002, and: Trisha Brown: Dance and Art in Dialogue, 1961-2001 (review)

pp. 181-183