1. Status, Sodomy, and the Theater in Marlowe's Edward II
  2. David Stymeist
  3. pp. 233-253
  4. DOI: 10.1353/sel.2004.0022
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  1. Castrating the Creditor in The Merchant of Venice
  2. Suzanne Penuel
  3. pp. 255-275
  4. DOI: 10.1353/sel.2004.0019
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  1. Disowning Knowledge of Jessica, or Shylock's Skepticism
  2. Anita Gilman Sherman
  3. pp. 277-295
  4. DOI: 10.1353/sel.2004.0021
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  1. Cannibalism and the Act of Revenge in Tudor-Stuart Drama
  2. Raymond J. Rice
  3. pp. 297-316
  4. DOI: 10.1353/sel.2004.0020
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  1. Public Justice and Private Mercy in Measure for Measure
  2. Stacy Magedanz
  3. pp. 317-332
  4. DOI: 10.1353/sel.2004.0018
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  1. "Bearing Hence" Shakespeare's The Winter's Tale
  2. Maurice Hunt
  3. pp. 333-346
  4. DOI: 10.1353/sel.2004.0017
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  1. The Severed Hand in Webster's Duchess of Malfi
  2. Albert H. Tricomi
  3. pp. 347-358
  4. DOI: 10.1353/sel.2004.0023
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  1. Cross-Dressing, Gender, and Absolutism in the Beaumont and Fletcher Plays
  2. Peter Berek
  3. pp. 359-377
  4. DOI: 10.1353/sel.2004.0013
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  1. Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque
  2. Catherine A. Henze
  3. pp. 379-404
  4. DOI: 10.1353/sel.2004.0016
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  1. Recent Studies in Tudor and Stuart Drama
  2. Dympna Callaghan
  3. pp. 405-444
  4. DOI: 10.1353/sel.2004.0015
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  1. Books Received
  2. pp. 445-455
  3. DOI: 10.1353/sel.2004.0014
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