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Table of Contents

  1. Editorial
  2. Estelle Ruth Jorgensen
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/pme.2004.0005
  5. restricted access
  1. Once More With Feeling: Reconciling Discrepant Accounts of Musical Affect
  2. Bennett Reimer
  3. pp. 4-16
  4. DOI: https://doi.org/10.2979/pme.2004.12.1.4
  5. restricted access
  1. Intersections: Form, Feeling, and Isomorphism
  2. Mary Josephine Reichling
  3. pp. 17-29
  4. DOI: https://doi.org/10.2979/pme.2004.12.1.17
  5. restricted access
  1. How Can Music Seem to be Emotional?
  2. Kingsley Price
  3. pp. 30-42
  4. DOI: https://doi.org/10.2979/pme.2004.12.1.30
  5. restricted access
  1. Manos Hadjidakis: The Story of an Anarchic Youth and a "Magnus Eroticus"
  2. Yiannis Miralis
  3. pp. 43-54
  4. DOI: https://doi.org/10.1353/pme.2004.0007
  5. restricted access
  1. Response to Bennett Reimer, "Once More with Feeling: Reconciling Discrepant Accounts of Musical Affect"
  2. Charlene Morton
  3. pp. 55-59
  4. DOI: https://doi.org/10.1353/pme.2004.0008
  5. restricted access
  1. Response to Bennett Reimer, "Once More with Feeling: Reconciling Discrepant Accounts of Musical Affect"
  2. Constantijn Henricus Koopman
  3. pp. 60-63
  4. DOI: https://doi.org/10.1353/pme.2004.0006
  5. restricted access
  1. Response to Mary J. Reichling, "Intersections: Form, Feeling, and Isomorphism"
  2. Anne Sinclair
  3. pp. 64-66
  4. DOI: https://doi.org/10.1353/pme.2004.0013
  5. restricted access
  1. Response to Mary J. Reichling, "Intersections: Form, Feeling, and Isomorphism"
  2. David Stevenson
  3. pp. 67-70
  4. DOI: https://doi.org/10.1353/pme.2004.0014
  5. restricted access
  1. Response to Kingsley Price's "How Can Music Seem to be Emotional"
  2. Marguerite Nering
  3. pp. 71-75
  4. DOI: https://doi.org/10.1353/pme.2004.0009
  5. restricted access
  1. Response to Kingsley Price, "How Can Music Seem to be Emotional"
  2. Forest Hansen
  3. pp. 76-79
  4. DOI: https://doi.org/10.1353/pme.2004.0003
  5. restricted access
  1. Response to Yiannis Miralis, "Manos Hadjidakis: The Story of an Anarchic Youth and a 'Magnus Eroticus'"
  2. Lenia Serghi
  3. pp. 80-83
  4. DOI: https://doi.org/10.1353/pme.2004.0012
  5. restricted access
  1. Response to Yiannis Miralis, "Manos Hadjidakis: The Story of an Anarchic Youth and a 'Magnus Eroticus'"
  2. Jason Helfer
  3. pp. 84-88
  4. DOI: https://doi.org/10.1353/pme.2004.0004
  5. restricted access
  1. Performing Live: Aesthetic Alternatives for the Ends of Art (review)
  2. Gustavo D. Cardinal
  3. pp. 89-93
  4. DOI: https://doi.org/10.1353/pme.2004.0002
  5. restricted access