1. Remembering Lois Boe Hyslop
  2. Patricia A. Ward
  3. p. 206
  4. DOI: 10.1353/ncf.2004.0041
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  1. The Black Galatea: Claire de Duras's Ourika
  2. Linda Marie Rouillard
  3. pp. 207-222
  4. DOI: 10.1353/ncf.2004.0034
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  1. Uprooting the Lyric: Baudelaire in Wagner's Forests
  2. Joseph Acquisto
  3. pp. 223-237
  4. DOI: 10.1353/ncf.2004.0001
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  1. La Fanfarlo : la prostituee rend au poete la monnaie de sa piece
  2. Nathalie Buchet Rogers
  3. pp. 238-252
  4. DOI: 10.1353/ncf.2004.0033
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  1. Pariade: poesie et prose chez Rimbaud
  2. David Decarie
  3. pp. 253-266
  4. DOI: 10.1353/ncf.2004.0009
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  1. "Poussiere de religions": le culte domestique dans "Un Coeur simple"
  2. Cecile Matthey
  3. pp. 267-281
  4. DOI: 10.1353/ncf.2004.0024
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  1. The Writings of J.-K. Huysmans and Gustave Moreau's Painting: Affinity or Divergence?
  2. Natasha Grigorian
  3. pp. 282-297
  4. DOI: 10.1353/ncf.2004.0012
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  1. Jacob Wrestling with the Angel: A Theme in Symbolist Art
  2. Suzanne M. Singletary
  3. pp. 298-315
  4. DOI: 10.1353/ncf.2004.0037
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  1. Unpacking His Library: Robert de Montesquiou and the Esthetics of the Book in Fin-de-siecle France
  2. Willa Z. Silverman
  3. pp. 316-331
  4. DOI: 10.1353/ncf.2004.0036
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  1. Unpacking a Provencal Library
  2. Rosemary Lloyd
  3. pp. 332-344
  4. DOI: 10.1353/ncf.2004.0023
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  1. Vae Victis! Adolphe Rette
  2. Michel Pierssens
  3. pp. 345-355
  4. DOI: 10.1353/ncf.2004.0032
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  1. Jules Breton, Painter of Peasant Life (review)
  2. Wendy Jean Katz
  3. pp. 356-357
  4. DOI: 10.1353/ncf.2004.0019
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  1. The Drawing Speaks. Theophile Bra: Works 1826-1855, and: Theophile Bra, L'Evangile Rouge (review)
  2. Jack Johnson
  3. pp. 358-359
  4. DOI: 10.1353/ncf.2004.0018
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  1. L'Heritage de Fourier: Utopie Amoureuse et Liberation Sexuelle (review)
  2. Claudia Moscovici
  3. pp. 359-361
  4. DOI: 10.1353/ncf.2004.0030
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  1. The Nude in French Art and Culture, 1870-1910 (review)
  2. Marie Lathers
  3. pp. 361-362
  4. DOI: 10.1353/ncf.2004.0021
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  1. Multiple Wives, Multiple Pleasures: Representing the Harem, 1800-1875 (review)
  2. Hollis Clayson
  3. pp. 362-365
  4. DOI: 10.1353/ncf.2004.0007
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  1. La Famille noire, suivie de trois nouvelles blanches et noires (review)
  2. Marie-Pierre Le Hir
  3. pp. 365-367
  4. DOI: 10.1353/ncf.2004.0022
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  1. Childhood in the Promised Land: Working-Class Movements and the Colonies de Vacances in France, 1880-1960 (review)
  2. Ross A. Thompson
  3. pp. 367-369
  4. DOI: 10.1353/ncf.2004.0039
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  1. Debussy and His World (review)
  2. Margaret Miner
  3. pp. 370-372
  4. DOI: 10.1353/ncf.2004.0029
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  1. The Keys to French Opera in the Nineteenth Century (review)
  2. Diana R. Hallman
  3. pp. 372-374
  4. DOI: 10.1353/ncf.2004.0014
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  1. Bodies of Art: French Literary Realism and the Artist's Model (review)
  2. Beth Segal Wright
  3. pp. 374-376
  4. DOI: 10.1353/ncf.2004.0043
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  1. Ecrits sur l'art par Gustave Moreau (review)
  2. Pamela Antonia Genova
  3. pp. 377-378
  4. DOI: 10.1353/ncf.2004.0011
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  1. Dream States: Puvis de Chavannes, Modernism, and the Fantasy of France (review)
  2. Marjorie Schreiber Kinsey
  3. pp. 379-380
  4. DOI: 10.1353/ncf.2004.0020
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  1. Boundaries of Acceptability: Flaubert, Maupassant, Cezanne, and Cassatt (review)
  2. Adrianna M. Paliyenko
  3. pp. 380-382
  4. DOI: 10.1353/ncf.2004.0031
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  1. Le Roman de l'Histoire (1780-1850) (review)
  2. Emanuel J. Mickel
  3. pp. 382-386
  4. DOI: 10.1353/ncf.2004.0027
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  1. Zoom sur les decadents (review)
  2. Max Milner
  3. pp. 386-388
  4. DOI: 10.1353/ncf.2004.0028
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  1. Les Routes initiatiques de Germain Nouveau (review)
  2. Alexandre L. Amprimoz
  3. pp. 390-392
  4. DOI: 10.1353/ncf.2004.0002
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  1. Balzac, ou les hieroglyphes de l'imaginaire (review)
  2. Claudie Bernard
  3. pp. 392-394
  4. DOI: 10.1353/ncf.2004.0003
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  1. Balzac's Shorter Fictions: Genesis and Genre (review)
  2. Graham Falconer
  3. pp. 394-396
  4. DOI: 10.1353/ncf.2004.0010
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  1. Oeuvres poetiques completes. Tome VIII. Dans la fournaise (review)
  2. Carrol F. Coates
  3. pp. 397-399
  4. DOI: 10.1353/ncf.2004.0008
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  1. Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan (review)
  2. Derek Hillard
  3. pp. 400-401
  4. DOI: 10.1353/ncf.2004.0016
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  1. De la Belle Dorothee aux Bons Chiens (review)
  2. Cecile Guillard
  3. pp. 402-403
  4. DOI: 10.1353/ncf.2004.0013
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  1. Mademoiselle Giraud, Ma femme, and: Mademoiselle Giraud, My Wife (review)
  2. Gretchen Schultz
  3. pp. 404-405
  4. DOI: 10.1353/ncf.2004.0035
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  1. Infertility and the Novels of Sophie Cottin (review)
  2. Annie Smart
  3. pp. 405-407
  4. DOI: 10.1353/ncf.2004.0038
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  1. Correspondance (review)
  2. Eric Le Calvez
  3. pp. 407-412
  4. DOI: 10.1353/ncf.2004.0006
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  1. Narrative Memory in Flaubert's Works (review)
  2. E. Nicole Meyer
  3. pp. 412-413
  4. DOI: 10.1353/ncf.2004.0026
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  1. Australian Divagations: Mallarme & the 20th Century (review)
  2. Dorothy M. Betz
  3. pp. 413-414
  4. DOI: 10.1353/ncf.2004.0004
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  1. Nouvelles (review)
  2. Michel Brix
  3. pp. 414-416
  4. DOI: 10.1353/ncf.2004.0005
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  1. Rachilde-Maurice Barres: Correspondance inedite, 1885-1914 (review)
  2. Melanie Hawthorne
  3. pp. 416-418
  4. DOI: 10.1353/ncf.2004.0015
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  1. Rachilde: Decadence, Gender and the Woman Writer (review)
  2. Regina Bollhalder Mayer
  3. pp. 418-419
  4. DOI: 10.1353/ncf.2004.0025
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  1. L'Art de Rimbaud (review)
  2. Seth Adam Whidden
  3. pp. 419-421
  4. DOI: 10.1353/ncf.2004.0042
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  1. Index to Vol. 32, Nos.1-4: Fall 2003 - Summer 2004
  2. pp. 426-432
  3. DOI: 10.1353/ncf.2004.0017
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