1. Swinburne's Radical Artifice; or, The Comedian as A. C.
  2. Jerome J. McGann
  3. pp. 205-218
  4. DOI: 10.1353/mod.2004.0036
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  1. Caribbean Models for Modernism in the Work of Claude McKay and Jean Rhys
  2. Leah Rosenberg
  3. pp. 219-238
  4. DOI: 10.1353/mod.2004.0043
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  1. "Peaceful and Exciting": Habit, Shock, and Gertrude Stein's Pragmatic Modernism
  2. Lisi Schoenbach
  3. pp. 239-259
  4. DOI: 10.1353/mod.2004.0045
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  1. Gertrude Stein and the Radio
  2. Sarah Wilson
  3. pp. 261-278
  4. DOI: 10.1353/mod.2004.0048
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  1. The Fascist Choreography: Riefenstahl-'s Tableaux
  2. Brigitte Peucker
  3. pp. 279-297
  4. DOI: 10.1353/mod.2004.0039
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  1. Early Soviet Cinema and American Poetry
  2. David Kadlec
  3. pp. 299-331
  4. DOI: 10.1353/mod.2004.0034
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  1. Fables of Modernity: The Typist in Germany and France
  2. Lawrence S. Rainey
  3. pp. 333-340
  4. DOI: 10.1353/mod.2004.0040
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  1. Planners, Pillars, and Pretenders: Socialism between Enlightenment and Sovereignty
  2. Benjamin Robinson
  3. pp. 341-346
  4. DOI: 10.1353/mod.2004.0042
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  1. The Details Are Kept a Secret
  2. Joseph Mark Conte
  3. pp. 347-350
  4. DOI: 10.1353/mod.2004.0031
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  1. Eavesdropping in the Novel from Austen to Proust (review)
  2. Patricia Ann Meyer Spacks
  3. pp. 351-352
  4. DOI: 10.1353/mod.2004.0047
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  1. Black Victorians/ Black Victoriana (review)
  2. Sukhdev Sandhu
  3. pp. 353-354
  4. DOI: 10.1353/mod.2004.0044
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  1. Empire, the National, and the Postcolonial, 1890-1920: Resistance in Interaction (review)
  2. Rajeev S. Patke
  3. pp. 354-356
  4. DOI: 10.1353/mod.2004.0038
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  1. Standish O'Grady, AE and Yeats: History, Politics, Culture (review)
  2. Emer Nolan
  3. pp. 356-358
  4. DOI: 10.1353/mod.2004.0037
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  1. Narrative Gravity: Conversation, Cognition, and Culture (review)
  2. Jonathan Goodwin
  3. pp. 358-359
  4. DOI: 10.1353/mod.2004.0032
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  1. High Anxieties: Cultural Studies in Addiction (review)
  2. Alina Clej
  3. pp. 360-361
  4. DOI: 10.1353/mod.2004.0030
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  1. James Joyce, Sexuality, and Social Purity (review)
  2. Sean Latham
  3. pp. 361-363
  4. DOI: 10.1353/mod.2004.0035
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  1. The Great War and the Language of Modernism (review)
  2. Jason Harding
  3. pp. 363-365
  4. DOI: 10.1353/mod.2004.0033
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  1. Cinema Italia: Classic Italian Film Posters (review)
  2. John David Rhodes
  3. pp. 365-367
  4. DOI: 10.1353/mod.2004.0041
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  1. Terrorism and Modern Literature: from Joseph Conrad to Ciaran Carson (review)
  2. Vincent B. Sherry
  3. pp. 367-368
  4. DOI: 10.1353/mod.2004.0046
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  1. Recent Books of Interest
  2. pp. 369-372
  3. DOI: 10.1353/mod.2004.0029
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