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  Volume 56, Number 1, March 2004

Table of Contents

From: Theatre Journal

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Editorial Comment: The Theatre Scholar as Coyote

pp. vii-ix
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Foreign Asia / Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization

pp. 1-28
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The Eyes of the Body and the Veil of Faith

pp. 29-45
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Mr. Harmony and the Events of January 1793: Elizabeth Inchbald's Every One Has His Fault

pp. 47-62
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Authentic Possibilities: Plantation Performance of the 1890s

pp. 63-82
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Richard Foreman and the Ends of an Avant-Garde

pp. 83-96
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Performance Review

Sweet Bird of Youth (review)

pp. 97-98
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After Mrs. Rochester (review)

pp. 99-100
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12. Internationale Schillertage (review)

pp. 100-104
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Brand (review)

pp. 104-105
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Race: How Blacks and Whites Feel and Think About the American Obsession (review)

pp. 105-108
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True West (review)

pp. 108-109
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Six Degrees of Separation, and: The Seagull (review)

pp. 109-113
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Troilus and Cressida (review)

pp. 113-114
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Under the Skin: A Festival of One-Act Plays (review)

pp. 115-117
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The Violet Hour (review)

pp. 117-119
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Broken Glass (review)

pp. 120-121
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Mutter Courage und ihre Kinder, and: Die Mutter (review)

pp. 121-122
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Nathan the Wise (review)

pp. 122-125
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The Angel Project (review)

pp. 125-127
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Book Review

Sweet Violence: The Idea of the Tragic (review)

pp. 129-130
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Agitated States: Performance in the American Theater of Cruelty (review)

pp. 130-131
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The Theatres of Moliere (review)

pp. 131-133
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Death by Drama and Other Medieval Urban Legends (review)

pp. 134-135
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Ethnic Drag: Performing Race, Nation, Sexuality in West Germany (review)

pp. 134-135
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The Queerest Art: Essays on Lesbian and Gay Theater (review)

pp. 135-136
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Disciplining Satire: The Censorship of Satiric Comedy on the Eighteenth-Century London Stage (review)

pp. 136-138
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Bernard Shaw and Barry Jackson, and: Bernard Shaw and the Webbs (review)

pp. 138-139
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Staging Consciousness: Theater and the Materialization of Mind (review)

pp. 140-141
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Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage, and: Joanna Baillie: A Literary Life (review)

pp. 141-143
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Strip Show: Performances of Gender and Desire, and: Striptease Culture: Sex, Media, and the Democratization of Desire (review)

pp. 143-145
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Perfect 10: Writing and Producing the 10-Minute Play, and: Writing Your First Play, and: The Playwright's Guidebook: An Insightful Primer on the Art of Dramatic Writing (review)

pp. 145-147
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Staging a Cultural Paradigm: The Political and the Personal in American Drama (review)

pp. 147-148
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Theatre, Society and the Nation: Staging American Identities (review)

pp. 148-150
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Ridiculous! The Theatrical Life and Times of Charles Ludlam (review)

pp. 150-151
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She Also Wrote Plays: An International Guide to Women Playwrights from the 10th to the 21st Century, and: Women Who Write Plays: Interviews with American Dramatists (review)

pp. 151-153
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Love Me or Kill Me: Sarah Kane and the Theatre of Extremes (review)

pp. 153-154
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Books Received

Books Received

pp. 154-160
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Performance Review Erratum

Performance Review Erratum

p. 127
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Research Areas

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