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Table of Contents

  1. Correction
  3. p. 307
  4. DOI: https://doi.org/10.1353/hjr.2001.0022
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Articles

  1. Introduction
  2. Susan M. Griffin
  3. pp. 215-216
  4. DOI: https://doi.org/10.1353/hjr.2001.0026
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  1. James and the American Sacred
  2. Robert Weisbuch
  3. pp. 217-228
  4. DOI: https://doi.org/10.1353/hjr.2001.0034
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  1. James and the Originary Scene
  2. Kevin Kohan
  3. pp. 229-238
  4. DOI: https://doi.org/10.1353/hjr.2001.0029
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  1. Immaculate Conceptions: Henry James and the Private Sphere
  2. Marcia Ian
  3. pp. 239-247
  4. DOI: https://doi.org/10.1353/hjr.2001.0028
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  1. James's Sick Souls
  2. Pericles Lewis
  3. pp. 248-258
  4. DOI: https://doi.org/10.1353/hjr.2001.0030
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  1. The Golden Bowl, A/theology, and Nothing
  2. Gregory Erickson
  3. pp. 259-267
  4. DOI: https://doi.org/10.1353/hjr.2001.0024
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  1. The Jamesian Thing
  2. Eric Savoy
  3. pp. 268-277
  4. DOI: https://doi.org/10.1353/hjr.2001.0032
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  1. The Aesthetics of Ascesis: Walter Besant and the Discipline of Form in The Golden Bowl
  2. Michael Reid
  3. pp. 278-285
  4. DOI: https://doi.org/10.1353/hjr.2001.0031
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  1. Between Communion and Renunciation: Revising The American
  2. Naomi E. Silver
  3. pp. 286-296
  4. DOI: https://doi.org/10.1353/hjr.2001.0033
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  1. Class Ghosting "In the Cage"
  2. Jill Galvan
  3. pp. 297-306
  4. DOI: https://doi.org/10.1353/hjr.2001.0025
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Book Reviews

  1. Henry James and the Culture of Publicity (review)
  2. Rory Drummond
  3. pp. 308-312
  4. DOI: https://doi.org/10.1353/hjr.2001.0023
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  1. What Was Lost: Poems (review)
  2. Andrew Hudgins
  3. pp. 312-315
  4. DOI: https://doi.org/10.1353/hjr.2001.0027
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