1. Walking on Water: The Metropolitan Feminine in The Ambassadors
  2. Marianne DeKoven
  3. pp. 107-126
  4. DOI: 10.1353/hjr.1997.0016
  5. restricted access View |
  1. The Fall as Conversion: Catholicism and the American Girl in James's "Travelling Companions"
  2. Jeff Staiger
  3. pp. 127-139
  4. DOI: 10.1353/hjr.1997.0021
  5. restricted access View |
  1. "God Knows They Are Impossible": James's Letters and Their Editors
  2. Michael Anesko
  3. pp. 140-148
  4. DOI: 10.1353/hjr.1997.0010
  5. restricted access View |
  1. Enter Touchstone: Manners of Comedy in James's The Europeans
  2. Joseph Nazare
  3. pp. 149-160
  4. DOI: 10.1353/hjr.1997.0019
  5. restricted access View |
  1. "Artful Artlessness": Reading the Coquette in Roderick Hudson
  2. Natasha Sajé
  3. pp. 161-172
  4. DOI: 10.1353/hjr.1997.0020
  5. restricted access View |
  1. "Conscious Observation of a Lovely Woman": Jane Campion's Portrait in Film
  2. Nancy Bentley
  3. pp. 174-179
  4. DOI: 10.1353/hjr.1997.0012
  5. restricted access View |
  1. The Search for Cinematic Identity and a Good Man: Jane Campion's Appropriation of James's Portrait
  2. Alan Nadel
  3. pp. 180-183
  4. DOI: 10.1353/hjr.1997.0018
  5. restricted access View |
  1. The Portrait of a Body
  2. Virginia Wright Wexman
  3. pp. 184-186
  4. DOI: 10.1353/hjr.1997.0023
  5. restricted access View |
  1. Jane and James Go to the Movies: Post-Colonial Portraits of a Lady
  2. Priscilla L. Walton
  3. pp. 187-190
  4. DOI: 10.1353/hjr.1997.0022
  5. restricted access View |
  1. Agency and Social Constraint in Jane Campion's The Portrait of a Lady
  2. Karen Michele Chandler
  3. pp. 191-193
  4. DOI: 10.1353/hjr.1997.0015
  5. restricted access View |
  1. Jane Campion's Symbolic Portrait
  2. Dale M. Bauer
  3. pp. 194-196
  4. DOI: 10.1353/hjr.1997.0011
  5. restricted access View |
  1. I Don't Like Isabel Archer
  2. Marc Bousquet
  3. pp. 197-199
  4. DOI: 10.1353/hjr.1997.0013
  5. restricted access View |
  1. Aesthetic Persuasion: Henry James, the Jews, and Race (review)
  2. James Mendelsohn
  3. pp. 200-203
  4. DOI: 10.1353/hjr.1997.0024
  5. restricted access View |
  1. The Supernatural and English Fiction (review)
  2. Pierre A. Walker
  3. pp. 204-206
  4. DOI: 10.1353/hjr.1997.0014
  5. restricted access View |
  1. Introduction
  2. Susan M. Griffin
  3. p. 173
  4. DOI: 10.1353/hjr.1997.0017
  5. restricted access View |