1. Art and the Construction of Community in "The Death of the Lion"
  2. Paul B. Armstrong
  3. pp. 99-108
  4. DOI: 10.1353/hjr.1996.0011
  5. restricted access View |
  1. Some Chapter of Some Other Story: Henry James, Lucas Malet, and the Real Past of The Sense of the Past
  2. Talia Schaffer
  3. pp. 109-128
  4. DOI: 10.1353/hjr.1996.0016
  5. restricted access View |
  1. Divorce of a Nation; or, Can Isabel Archer Resist History
  2. Debra MacComb
  3. pp. 129-148
  4. DOI: 10.1353/hjr.1996.0013
  5. restricted access View |
  1. Hysteria, Rhetoric, and the Politics of Reversal in Henry James's The Turn of the Screw
  2. Albaraq Mahbobah
  3. pp. 149-161
  4. DOI: 10.1353/hjr.1996.0014
  5. restricted access View |
  1. Narrative Discourse and the Imperative of Sympathy in The Bostonians
  2. Michael S. Kearns
  3. pp. 162-181
  4. DOI: 10.1353/hjr.1996.0012
  5. restricted access View |
  1. An Emotional Reflection: Sexual Realization in Henry James's Revisions to Roderick Hudson
  2. Daniel J. Murtaugh
  3. pp. 182-203
  4. DOI: 10.1353/hjr.1996.0015
  5. restricted access View |
  1. A Bibliographical and Biographical Note: Henry James's Markings in Zola's La Debacle
  2. Adeline R. Tintner
  3. pp. 204-207
  4. DOI: 10.1353/hjr.1996.0017
  5. restricted access View |
  1. James and Charles Dickens
  2. Edward L. Tucker
  3. pp. 208-209
  4. DOI: 10.1353/hjr.1996.0018
  5. restricted access View |