1. "A Coroun Ful Riche": The Rule of History in St. Erkenwald
  2. Ruth Nisse
  3. pp. 277-295
  4. DOI: 10.1353/elh.1998.0012
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  1. Effaced History: Facing the Colonial Contexts of Ben Jonson's Irish Masque at Court
  2. James M. Smith
  3. pp. 297-321
  4. DOI: 10.1353/elh.1998.0015
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  1. Rape and the Female Subject in Aphra Behn's The Rover
  2. Anita Pacheco
  3. pp. 323-345
  4. DOI: 10.1353/elh.1998.0013
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  1. Structures of Adultery: Otway's The Souldiers Fortune and Restoration Domestic Architecture
  2. Simon Morgan-Russell
  3. pp. 347-361
  4. DOI: 10.1353/elh.1998.0011
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  1. "O My Mother Spain!": The Peninsular War, Family Matters, and the Practice of Romantic Nation-Writing
  2. Diego Saglia
  3. pp. 363-393
  4. DOI: 10.1353/elh.1998.0014
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  1. Beloved Objects: Mourning, Materiality, and Charlotte Bronte's "Never-Ending Story"
  2. Kate E. Brown
  3. pp. 395-421
  4. DOI: 10.1353/elh.1998.0010
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  1. Moving Parts and Speaking Parts: Situating Victorian Antitheatricality
  2. Rebecca F. Stern
  3. pp. 423-449
  4. DOI: 10.1353/elh.1998.0016
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  1. Thomas Hardy and Thomas Gray: The Poet's Currency
  2. Dennis Taylor
  3. pp. 451-477
  4. DOI: 10.1353/elh.1998.0017
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  1. Charlotte Stearns Eliot and Ash-Wednesday's Lady of Silences
  2. Elisabeth Däumer
  3. pp. 479-501
  4. DOI: 10.1353/elh.1998.0019
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  1. Imperium, Misogyny, and Postmodern Parody in Thomas Pynchon's V.
  2. Stefan Mattessich
  3. pp. 503-521
  4. DOI: 10.1353/elh.1998.0018
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