restricted access   Volume 13, 2003

Table of Contents

From: Leonardo Music Journal

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Introduction: Groove, Pit and Wave

pp. 1-3


The Influence of Recording Technologies on the Early Development of Electroacoustic Music

pp. 5-10

John Cage and Recording

pp. 11-15

Christian Marclay's Early Years: An Interview

pp. 17-21

Recursive Audio Cutting

pp. 23-29

The Music of the Sphere: An Investigation into Asymptotic Harmonics, Brainwave Entrainment and the Earth as a Giant Bell

pp. 31-37

Regenerative Feedback in the Medium of Radio: Study 1.0 (FM) for Radio Transceiver

pp. 39-42

Artist's Notebook: TOHU BOHU: Considerations on the nature of noise, in 78 fragments

pp. 43-46

Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval

pp. 47-52

Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation

pp. 53-59

Hand-Luggage: For a Generative Theory of Artifacts

pp. 61-65

Early Musical Impressions from Both Sides of the Loudspeaker

pp. 67-71

Extended Abstracts

Recursive Audio Systems: Acoustic Feedback in Composition

p. 73

Performance Space Meets Cyberspace: Seeking the Creative Idiom and Technical Model for Live Music on Broadband

pp. 73-74

The Gallbladder Sonata : Transmission Time on the Internet

p. 74

Mediating (through) Imagination: Web-Based Sound Art

pp. 74-75

Turn/Stile: Interpreting Udo Kasemets' CaleNdarON for a Single Turntable with Treatment and Surfaces

pp. 75-76

Splitting Bits, Closing Loops: Sound on Sound
Curated by Philip Sherburne

Tracklist and Credits

p. 78

CD Introduction

CD Companion Introduction: Splitting Bits, Closing Loops: Sound on Sound

pp. 79-81

CD Contributors' Notes

Splitting Bits, Closing Loops: Sound on Sound: Contributors' Notes

pp. 83-87

2003 Leonardo And Leonardo Music Journal Author Index

2003 Author Index: Leonardo Volume 36 and Leonardo Music Journal Volume 13

pp. 89-92

Leonardo Network News

Leonardo Network News

pp. 93-94