restricted access   Volume 60, Number 2, December 2003

Table of Contents

From: Notes

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Notes for NOTES

pp. 415-416

Books Recently Published

pp. 471-505

Sound Recording Reviews

pp. 515-520

Music Publishers' Catalogs

pp. 521-523

Music Received

pp. 552-564


The "Other" Billings: The Life and Music of Nathaniel Billings (1768-1853), An Early American Composer

pp. 377-392

Pictures From an Exhibition: Curating Lift Every Voice at the University of Virginia

pp. 393-406

Prices of Music Monographs and Scores as Reflected in Notes, 1997-2002

pp. 407-414

Book Reviews
Edited by David Gilbert

Music and Culture

Music and Culture in Late Renaissance Italy (review)

pp. 417-420

Paying the Piper: Music in Pre-1642 Cheshire (review)

pp. 420-422

Music Is the Weapon of the Future: Fifty Years of African Popular Music (review)

pp. 422-425

Music in Puerto Rico: A Reader's Anthology (review)

pp. 425-426

Cuban Fire: The Story of Salsa and Latin Jazz (review)

pp. 426-428

Music, Sex, Gender

Settling the Pop Score: Pop Texts and Identity Politics (review)

pp. 428-431

Gender, Sexuality, and Early Music (review)

pp. 431-433

Music, Sensation, and Sensuality (review)

pp. 433-434

Eighteenth-Century Studies

Joseph Haydn and the Eighteenth Century: Collected Essays of Karl Geiringer (review)

pp. 435-437

Operatic Reform in Turin's Teatro Regio: Aspects of Production and Stylistic Change in the 1760s (review)

pp. 437-439

Eighteenth Century Continuo Playing: A Historical Guide to the Basics (review)

pp. 439-440

The Characteristic Symphony in the Age of Haydn and Beethoven (review)

pp. 440-442

Reference Works

Country Music: A Biographical Dictionary, and: Country Music Sources: A Biblio-Discography of Commercially Recorded Traditional Music (review)

pp. 443-446

The Garland Encyclopedia of World Music. Vol. 10: The World's Music: General Perspectives and Reference Tools (review)

pp. 446-448

Music of the Twentieth-Century Avant-Garde: A Bio-Critical Sourcebook, and: Steve Reich: A Bio-Bibliography (review)

pp. 448-449

Nineteenth- and Twentieth-Century Composers

Copland Connotations: Studies and Interviews (review)

pp. 450-452

Bartok and the Piano: A Performer's View (review)

pp. 452-455

Arthur Bliss: Music and Literature, and: Michael Tippett: Music and Literature (review)

pp. 455-456

Charles Villiers Stanford (review)

pp. 456-458

Gustav Mahler als Konzert- und Operndirigent in Hamburg (review)

pp. 458-460

Jacques Offenbach and the Paris of His Time (review)

pp. 460-462

Diverse Topics

Opera on Stage (review)

pp. 462-464

The Viol: History of an Instrument (review)

pp. 464-467

The Guitar and Its Music: From the Renaissance to the Classical Era (review)

pp. 467-468

Women Performing Music: The Emergence of American Women as Classical Instrumentalists and Conductors (review)

pp. 469-470

Digital Media Reviews
Edited by Alec McLane

Emusicquest: The Music-In-Print Series (review)

pp. 506-508

Music and Culture of West Africa: The Straus Expedition (review)

pp. 508-510

Online Hymn Resources

pp. 510-514

Music Reviews
Edited by Darwin F. Scott


Musik fur Saiteninstrumente, Schlagzeug und Celesta: Faksimile des Partiturautographs und der Skizzen (review)

pp. 524-529

Critical Editions

Batori Maria: Opera ket felvonasban (review)

pp. 529-533

Concerti musicali, Opus 6, and: Sinfonia in D (G. 21) for 1/2 Trumpet(s), Strings & Continuo (review)

pp. 534-538

Werke fur Chor und Orchester, and: Klavierkonzerte II (review)

pp. 538-541

Semele: An Opera (review)

pp. 541-543

Instrumental Music

I Kwartet smyczkowy = String Quartet no. 1, and: II Kwartet smyczkowy = String Quartet no. 2, and: IV Kwartet smyczkowy = String Quartet no. 4, and: V Kwartet smyczkowy = String Quartet no. 5, and: VII Kwartet smyczkowy = String Quartet no. 7, and: Koncert na dwa fortepiany i orkiestre = Concerto for Two Pianos and Orchestra, and: Latwe duety na tematy ludowe na 2 skrzypiece = Easy Duets on Folk Themes for 2 Violins, and: Dwie etiudy na podwojne dzwieki na fortepian = Two Studies for Double Notes for Piano, and: Trzy tance na skrzypce i fortepian = Three Dances for Violin and Piano, and: Trzy groteski na fortepian = Three Grotesques for Piano, and: Temat z wariacjami na skrzypce i fortepian = Theme with Variations for Violin and Piano, and: Trio na oboj, skrzypce i wiolonczele = for Oboe, Violin, and Cello (review)

pp. 544-548

Dramatic Music

The Picture of Dorian Gray, op. 45: Opera in Two Acts (review)

pp. 548-551