1. Meter, Identity, Voice: Untranslating Christabel
  2. Margaret Russett
  3. pp. 773-797
  4. DOI: 10.1353/sel.2003.0046
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  1. Coleridge's "The Raven" and the Forging of Radicalism
  2. Michael Wiley
  3. pp. 799-813
  4. DOI: 10.1353/sel.2003.0047
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  1. Empire, Coleridge, and Charles Lamb's Consumer Imagination
  2. Karen Y. Fang
  3. pp. 815-843
  4. DOI: 10.1353/sel.2003.0039
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  1. Responsible Creativity and the "Modernity" of Mary Shelley's Prometheus
  2. Harriet Hustis
  3. pp. 845-858
  4. DOI: 10.1353/sel.2003.0040
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  1. Re-Reading Sisterhood in Christina Rossetti's "Noble Sisters" and "Sister Maude"
  2. Scott Rogers
  3. pp. 859-875
  4. DOI: 10.1353/sel.2003.0045
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  1. The Metaphorical Space of Meredith's Diana of the Crossways
  2. Elizabeth Bradburn
  3. pp. 877-895
  4. DOI: 10.1353/sel.2003.0038
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  1. Thomas Hardy and the Language of the Inanimate
  2. Satoshi Nishimura
  3. pp. 897-912
  4. DOI: 10.1353/sel.2003.0044
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  1. Reconstructing Tess
  2. Oliver Lovesey
  3. pp. 913-938
  4. DOI: 10.1353/sel.2003.0042
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  1. Mrs. Humphry Ward's Fictional Experiments in the Woman Question
  2. Gisela Argyle
  3. pp. 939-957
  4. DOI: 10.1353/sel.2003.0036
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  1. Recent Studies in the Nineteenth Century
  2. Andrew H. Miller
  3. pp. 959-997
  4. DOI: 10.1353/sel.2003.0043
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  1. Books Received
  2. pp. 998-1017
  3. DOI: 10.1353/sel.2003.0037
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  1. Contents
  2. pp. 1025-1027
  3. DOI: 10.1353/sel.2003.0041
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