1. Sodom and Gomorrah: Notes on a Reconstruction, or Less Is More
  2. Nikolaus Wostry, Jan-Christopher Horak
  3. pp. 19-39
  4. DOI: 10.1353/mov.2003.0038
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  1. Found Footage Film as Discursive Metahistory: Craig Baldwin's Tribulation 99
  2. Michael Zryd
  3. pp. 40-61
  4. DOI: 10.1353/mov.2003.0039
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  1. Rethinking Rothafel: Roxy's Forgotten Legacy
  2. Ross Melnick
  3. pp. 62-95
  4. DOI: 10.1353/mov.2003.0034
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  1. Looking at Preservation from the Digital Library Perspective
  2. Carl Fleischhauer
  3. pp. 96-100
  4. DOI: 10.1353/mov.2003.0027
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  1. InterPARES: The Search for Authenticity in Electronic Records
  2. Yvette Hackett
  3. pp. 100-107
  4. DOI: 10.1353/mov.2003.0029
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  1. War Photographer (review)
  2. Tammy Kinsey
  3. pp. 108-111
  4. DOI: 10.1353/mov.2003.0032
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  1. The Emergence of Cinematic Time: Modernity, Contingency, the Archive (review)
  2. Sharon Lin Tay
  3. pp. 111-113
  4. DOI: 10.1353/mov.2003.0021
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  1. There's No Place Like Home Video (review)
  2. Liz Czach
  3. pp. 114-116
  4. DOI: 10.1353/mov.2003.0026
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  1. Film Copyright in the European Union (review)
  2. Steve Leggett
  3. pp. 117-119
  4. DOI: 10.1353/mov.2003.0033
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  1. Encoded Archival Description Tag Library, Version 2002 (review)
  2. Ann E. Butler
  3. pp. 119-122
  4. DOI: 10.1353/mov.2003.0022
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  1. Weltwunder der Kinematographie: Film History auf DVD, Vol. 1 (review)
  2. Frances Guerin
  3. pp. 123-126
  4. DOI: 10.1353/mov.2003.0028
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  1. The Pordenone Silent Film Festival: Le Giornate del Cinema Muto 1982-2001 (review)
  2. Hillel Tryster
  3. pp. 126-128
  4. DOI: 10.1353/mov.2003.0036
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  1. Orphans of the Storm III: Listening to Orphan Films
  2. Liz Coffey
  3. pp. 128-132
  4. DOI: 10.1353/mov.2003.0023
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  1. Close Readings: Seeing Amateur Films in Important Ways
  2. Janna Jones
  3. pp. 132-135
  4. DOI: 10.1353/mov.2003.0031
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  1. Film Archives in the Digital Era: New Concepts and New Policies
  2. David Walsh, Paul Read
  3. pp. 136-141
  4. DOI: 10.1353/mov.2003.0037
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  1. Correction
  2. p. iv
  3. DOI: 10.1353/mov.2003.0025
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  1. Editor's Introduction
  2. Jan-Christopher Horak
  3. pp. vi-ix
  4. DOI: 10.1353/mov.2003.0030
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  1. Contributors
  2. pp. 143-146
  3. DOI: 10.1353/mov.2003.0024
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  1. The Mitchell and Kenyon Collection: Rewriting Film History
  2. Vanessa Toulmin, Patrick Russell, Tim Neal
  3. pp. x, 1-18
  4. DOI: 10.1353/mov.2003.0035
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