Volume 54, Number 2, Summer 2003

Table of Contents

From: Shakespeare Quarterly

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Playing Fields or Killing Fields: Shakespeare's Poems and Sonnets

pp. 127-141
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Affective Resistance: Performing Passivity and Playing A-Part in The Taming of the Shrew

pp. 142-159
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Notes

"Thy bankes with pioned, and twilled brims": A Solution to a Double Crux

pp. 160-166
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Shakespeare Performed

Shakespeare at Stratford-upon-Avon: Summer and Winter, 2002-2003

pp. 167-185
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Book Reviews

A Dictionary of Stage Directions in English Drama, 1580-1642 (review)

pp. 186-188
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The Oxford Companion to Shakespeare (review)

pp. 188-191
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The Cambridge Companion to Shakespeare (review)

pp. 191-195
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Shakespeare and the Book (review)

pp. 195-197
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Shakespeare's Books: A Dictionary of Shakepeare Sources (review)

pp. 197-199
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Shakespeare in Production: King Henry V (review)

pp. 199-201
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Approaches to Teaching Shakespeare's Hamlet (review)

pp. 201-203
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Hamlet in His Modern Guises (review)

pp. 203-205
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Playing Companies and Commerce in Shakespeare's Time (review)

pp. 206-207
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The Culture of Playgoing in Shakespeare's England: A Collaborative Debate (review)

pp. 207-209
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Renaissance Clothing and the Materials of Memory (review)

pp. 209-212
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Guilty Creatures: Renaissance Poetry and the Ethics of Authorship (review)

pp. 212-214
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Shakespeare Performed: Essays in Honor of R. A. Foakes (review)

pp. 214-216
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Common Prayer: The Language of Public Devotion in Early Modern England (review)

pp. 216-218
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Old Worlds: Egypt, Southwest Asia, India, and Russia in Early Modern English Writing (review)

pp. 219-221
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Birth Passages: Maternity and Nostalgia, Antiquity to Shakespeare (review)

pp. 221-222
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James Orchard Halliwell-Phillipps: The Life and Works of the Shakespearean Scholar and Bookman (review)

pp. 223-226
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Shakespeare and Modern Theatre: The Performance of Modernity, and: Shakespeare and Feminist Performance: Ideology on Stage (review)

pp. 226-230
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Painting Shakespeare Red: An East-European Appropriation (review)

pp. 230-232
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Shakespeare, Brecht, and the Intercultural Sign (review)

pp. 232-235
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Shakespeare's Visual Regime: Tragedy, Psychoanalysis and the Gaze (review)

pp. 235-238
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Contributors

pp. 239-241
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