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  Volume 36, Number 1, Fall 2002

Table of Contents

From: Eighteenth-Century Studies

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"At the Expense of the Public": The Sign Painters' Exhibition of 1762 and the Public Sphere

pp. 1-21

The Butcher-Kissing Duchess of Devonshire: Between Caricature and Allegory in 1784

pp. 23-46

Pahin de la Blancherie's Commercial Cabinet of Curiosity (1779-87)

pp. 47-61

The Theater of Anatomy: The Anatomical Preparations of Honore Fragonard

pp. 63-79

Exhibition Reviews

Goya: La imagen de la mujer, and : Goya: Images of Women (review)

pp. 81-85

Naples and Vesuvius on the Grand Tour, and : Rome on the Grand Tour, and : Drawing Italy in the Age of the Grand Tour (review)

pp. 86-92

William Beckford 1760-1844: An Eye for the Magnificent (review)

pp. 93-97

Book Reviews

Looking Past the Mirror: Genre Painting Taken Seriously

pp. 99-108

A Monument to Reynolds

pp. 109-112

Ethical and Moral Reflections

pp. 112-115

Mapping a Century of British Poetry and Reassessing Two of Its Poets

pp. 115-119

How We Write Lives

pp. 119-122

John Thelwall's Polyvocal Politics

pp. 122-125

Clearing the Field: New Perspectives on Book History

pp. 125-131

Got the Cat, and Much Else Besides

pp. 131-135

The Protean Frances Burney

pp. 135-138

A Questioning of 'Truths' Universally Acknowledged: Gender and Literary Value in the Eighteenth Century

pp. 138-144

Plebeian Poets, Women Pastoralists, and the Free Press: Case Studies in the Continued Work of Recovery

pp. 144-148

Books Received

pp. 149-151

Research Areas


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