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Table of Contents

  1. Editor's Preface
  2. Nicole Schwindt
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/fam.2022.0015
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  1. Fifty Years with the Fondo Cappella Sistina of The Biblioteca Apostolica Vaticana
  2. Richard Sherr
  3. pp. 172-185
  4. DOI: https://doi.org/10.1353/fam.2022.0016
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  1. Maurizio Cazzati's 'Unsold Music'
  2. Rodolfo Zitellini
  3. pp. 186-204
  4. DOI: https://doi.org/10.1353/fam.2022.0017
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  1. Die Notenautographe (1825–1884) im Album von Ferdinand Hiller: Überblick, Einordnung, Quellenwert
  2. Henrike Rost
  3. pp. 206-227
  4. DOI: https://doi.org/10.1353/fam.2022.0018
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  1. 'Pure or Tainted?': Representing a Source of Colonial Bengali-English Music in RISM
  2. Emerson Morgan, Christina Linklater, Pramantha Tagore
  3. pp. 229-251
  4. DOI: https://doi.org/10.1353/fam.2022.0019
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  1. Briefs / Feuilletons
  3. pp. 253-254
  4. DOI: https://doi.org/10.1353/fam.2022.0020
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  1. Transforming Ethnomusicology, Volume I: Methodologies, Institutional Structures & Policies ed. by Beverley Diamond and Salwa El-Shawan Castelo-Branco, and: Transforming Ethnomusicology, Volume II: Political, Social & Ecological Issues by Beverley Diamond and Salwa El-Shawan Castelo-Branco (review)
  2. Aurélie Solenne Gandour
  3. pp. 255-258
  4. DOI: https://doi.org/10.1353/fam.2022.0021
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  1. Geschichte der Musiktheorie: Die Musiktheorie im 18. und 19. Jahrhundert. Dritter Band: Frankreich, Belgien, Italien ed. by Stefan Keym (review)
  2. Alexander Rehding
  3. pp. 259-261
  4. DOI: https://doi.org/10.1353/fam.2022.0022
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