1. Unsinkable Masculinity: The Artist and the Work of Art in James Cameron's Titanic
  2. David Gerstner
  3. pp. 1-22
  4. DOI: 10.1353/cul.2002.0007
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  1. (Re)Writing The Genetic Body-Text: Disability, Textuality, and the Human Genome Project
  2. James C. Wilson
  3. pp. 23-39
  4. DOI: 10.1353/cul.2002.0013
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  1. Nation and Identification: Psychoanalysis, Race, and Sexual Difference
  2. Tracey Sedinger
  3. pp. 40-73
  4. DOI: 10.1353/cul.2002.0011
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  1. English and the Audience of an African Popular Culture: The Case of Nigerian Video Film
  2. Moradewun Adejunmobi
  3. pp. 74-103
  4. DOI: 10.1353/cul.2002.0001
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  1. Re-placing the Border in Ethnic American Literature
  2. Dean Franco
  3. pp. 104-134
  4. DOI: 10.1353/cul.2002.0006
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  1. Space of Resistance: The Puerto Rican Cultural Center and Humboldt Park
  2. Rachel Rinaldo
  3. pp. 135-174
  4. DOI: 10.1353/cul.2002.0010
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  1. Police and Postcolonial Rationality in Amitav Ghosh's The Circle of Reason
  2. Yumna Siddiqi
  3. pp. 175-211
  4. DOI: 10.1353/cul.2002.0012
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  1. Suspensions of Perception: Attention, Spectacle, and Modern Culture (review)
  2. Kimberly Lamm
  3. pp. 215-218
  4. DOI: 10.1353/cul.2002.0009
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  1. Infant Figures: The Death of the Infans and Other Scenes of the Origin (review)
  2. Michael Eng
  3. pp. 219-222
  4. DOI: 10.1353/cul.2002.0005
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  1. Editorial Statement
  2. p. i
  3. DOI: 10.1353/cul.2002.0004
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  1. Books Received
  2. pp. 230-234
  3. DOI: 10.1353/cul.2002.0002
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  1. Contributors
  2. pp. 235-236
  3. DOI: 10.1353/cul.2002.0003
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