1. "Monstrous Manner": Style and the Early Modern Theater
  2. Amanda Bailey
  3. pp. 249-284
  4. DOI: 10.1353/crt.2001.0023
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  1. Martin Elsky
  2. pp. 285-288
  3. DOI: 10.1353/crt.2001.0027
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  1. Erich Auerbach, "Passio as Passio" ["Passio als Leidenschaft"]
  2. Martin Elsky
  3. pp. 288-308
  4. DOI: 10.1353/crt.2001.0022
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  1. Herrick, Hollar, and the Tradescants: Piecing Together a Seventeenth-Century Triptych
  2. Thomas Moisan
  3. pp. 309-324
  4. DOI: 10.1353/crt.2001.0032
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  1. Besonnenheit, Ekphrasis and the Disappearing Subject in E. T. A. Hoffmann's "Die Fermate"
  2. William Kumbier
  3. pp. 325-339
  4. DOI: 10.1353/crt.2001.0030
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  1. Day Late, Dollar Short: The Next Generation and the New Academy (review)
  2. Jerry Herron
  3. pp. 343-345
  4. DOI: 10.1353/crt.2001.0029
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  1. Jewish Enlightenment in an English Key: Anglo-Jewry's Construction of Modern Jewish Thought (review)
  2. Michael Scrivener
  3. pp. 346-349
  4. DOI: 10.1353/crt.2001.0033
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  1. Beckett and Poststructuralism (review)
  2. Thomas J. Cousineau
  3. pp. 349-352
  4. DOI: 10.1353/crt.2001.0026
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  1. The Hieroglyph of Tradition, Freud, Benjamin, Gadamer, Novalis, Kant (review)
  2. Agne`s Conacher
  3. pp. 352-355
  4. DOI: 10.1353/crt.2001.0025
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  1. Shakespeare and the Bible (review)
  2. Harmonie Loberg
  3. pp. 355-358
  4. DOI: 10.1353/crt.2001.0031
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  1. Shakespeare Jungle Fever: National-Imperial Re-Visions of Race, Rape, and Sacrifice (review)
  2. Peter Erickson
  3. pp. 358-360
  4. DOI: 10.1353/crt.2001.0028
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  1. A Geography of Victorian Gothic Fiction: Mapping History's Nightmares (review)
  2. Susan Lynne Beckwith
  3. pp. 360-365
  4. DOI: 10.1353/crt.2001.0024
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  1. The Erotic Whitman (review)
  2. Daneen Wardrop
  3. pp. 365-368
  4. DOI: 10.1353/crt.2001.0034
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