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Table of Contents

  1. Can't Buy Me Love:
  2. Shankar Raman
  3. pp. 135-168
  4. DOI: https://doi.org/10.1353/crt.2001.0017
  5. restricted access
  1. What Was Performance?
  2. Mary Thomas Crane
  3. pp. 169-187
  4. DOI: https://doi.org/10.1353/crt.2001.0013
  5. restricted access
  1. Sexuality and Form: Caravaggio, Marlowe, and Bacon (review)
  2. Bruce R. Smith
  3. pp. 213-217
  4. DOI: https://doi.org/10.1353/crt.2001.0020
  5. restricted access
  1. Outsiders Together: Virginia and Leonard Woolf (review)
  2. Brenda R. Silver
  3. pp. 217-221
  4. DOI: https://doi.org/10.1353/crt.2001.0019
  5. restricted access
  1. The Measure of Life: Virginia Woolf's Last Years (review)
  2. Lisa Low
  3. pp. 221-224
  4. DOI: https://doi.org/10.1353/crt.2001.0016
  5. restricted access
  1. Putting History to the Question: Power, Politics, and Society in English Renaissance Drama (review)
  2. Ira Clark
  3. pp. 225-228
  4. DOI: https://doi.org/10.1353/crt.2001.0012
  5. restricted access
  1. Truth and Consequences: Intentions, Conventions, and the New Thematics (review)
  2. Patrick Colm Hogan
  3. pp. 228-232
  4. DOI: https://doi.org/10.1353/crt.2001.0014
  5. restricted access
  1. At Memory's Edge: After-Images of the Holocaust in Contemporary Art and Architecture (review)
  2. Alison Landsberg
  3. pp. 232-235
  4. DOI: https://doi.org/10.1353/crt.2001.0015
  5. restricted access
  1. Silent Urns: Romanticism, Hellenism, Modernity (review)
  2. Daniel P. Watkins
  3. pp. 236-238
  4. DOI: https://doi.org/10.1353/crt.2001.0021
  5. restricted access
  1. Contemporary Irish Fiction: Themes, Tropes, Theories (review)
  2. James M. Cahalan
  3. pp. 239-241
  4. DOI: https://doi.org/10.1353/crt.2001.0011
  5. restricted access