1. Front Porch
  2. Marcie Cohen Ferris
  3. pp. 1-5
  4. DOI: 10.1353/scu.2019.0012
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  1. The Future Belongs to Us
  2. William Sturkey
  3. pp. 6-11
  4. DOI: 10.1353/scu.2019.0013
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  1. Notes Toward an Essay on Imagining Thomas Jefferson Watching a Performance of the Musical Hamilton
  2. Randall Kenan
  3. pp. 12-18
  4. DOI: 10.1353/scu.2019.0014
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  1. To Survive on This Shore Selections from the South
  2. Jess T. Dugan, Vanessa Fabbre
  3. pp. 19-45
  4. DOI: 10.1353/scu.2019.0015
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  1. Policing Immorality in a Virginia Girls’ Reformatory
  2. Erin N. Bush
  3. pp. 46-61
  4. DOI: 10.1353/scu.2019.0016
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  1. The Spaces We Inherit
  2. Oliver Clasper
  3. pp. 62-77
  4. DOI: 10.1353/scu.2019.0017
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  1. Going Up and Coming Down Kris Kristofferson, Authenticity, and Country Music’s “New Breed”
  2. Alex Macaulay
  3. pp. 78-103
  4. DOI: 10.1353/scu.2019.0018
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  1. The “Baltimore Idea” and the Cities It Built
  2. Emily Lieb
  3. pp. 104-119
  4. DOI: 10.1353/scu.2019.0019
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  1. The Rarest of Senses
  2. Monique Truong
  3. pp. 120-124
  4. DOI: 10.1353/scu.2019.0020
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  1. Más de una historia
  2. Joanna Welborn, Melinda Wiggins, Lucia Constantine, Daisy Almonte, Alejandra Okie Hollister
  3. pp. 125-143
  4. DOI: 10.1353/scu.2019.0021
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  1. The Sounds That Wake Me
  2. Savannah Sipple
  3. pp. 144-146
  4. DOI: 10.1353/scu.2019.0022
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  1. Contributors
  2. pp. 147-148
  3. DOI: 10.1353/scu.2019.0023
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