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In this Issue

Table of Contents

Prologue

  1. Prologue
  2. Elizabeth R. Wright
  3. p. 5
  4. DOI: https://doi.org/10.1353/boc.2018.0051
  5. restricted access
  1. Retrato y Semblanza
  2. Charles Victor Ganelin
  3. pp. 6-8
  4. DOI: https://doi.org/10.1353/boc.2018.0053
  5. restricted access

Articles

  1. Pulling Strings: Puppets and Free Will on the Spanish Stage
  2. Dale Shuger
  3. pp. 13-31
  4. DOI: https://doi.org/10.1353/boc.2018.0048
  5. restricted access
  1. Lope de Vega se reescribe: De la comedia bizantina a la novela corta (La viuda, casada y doncella, Guzmán el Bravo y La prudente venganza)
  2. Daniel Fernández Rodríguez
  3. pp. 33-48
  4. DOI: https://doi.org/10.1353/boc.2018.0047
  5. restricted access
  1. ¿Qué bizarrías son las de Belisa?: Hacia un ethos cortesano femenino en Las bizarrí de Belisa
  2. Fernando Rodríguez Mansilla
  3. pp. 49-66
  4. DOI: https://doi.org/10.1353/boc.2018.0040
  5. restricted access
  1. "El mucho número que hay dellos": El valiente negro en Flandes y los esgrimistas afrohispanos de Grandezas de la espada
  2. Manuel Olmedo Gobante
  3. pp. 67-91
  4. DOI: https://doi.org/10.1353/boc.2018.0035
  5. restricted access
  1. Estructura dramática y función de la polimetría en La cisma de Ingalaterra de Pedro Calderón de la Barca
  2. Fausta Antonucci
  3. pp. 93-110
  4. DOI: https://doi.org/10.1353/boc.2018.0027
  5. restricted access
  1. A Day in the Life: The Performance of Playgoing in Early Modern Madrid and London
  2. David J. Amelang
  3. pp. 111-127
  4. DOI: https://doi.org/10.1353/boc.2018.0026
  5. restricted access

Reviews

  1. Esther in Early Modern Iberia and the Sephardic Diaspora: Queen of the Conversas by Emily Colbert Cairns (review)
  2. David Wacks
  3. pp. 129-131
  4. DOI: https://doi.org/10.1353/boc.2018.0050
  5. restricted access
  1. Amor, honor y poder by Pedro Calderón de la Barca (review)
  2. Carmen Peraita
  3. pp. 133-135
  4. DOI: https://doi.org/10.1353/boc.2018.0044
  5. restricted access
  1. Entangled Empires: The Anglo-Iberian Atlantic, 1500-1830 ed. by Jorge Cañizares-Esguerra (review)
  2. Eva Botella-Ordinas
  3. pp. 137-142
  4. DOI: https://doi.org/10.1353/boc.2018.0029
  5. restricted access
  1. The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England ed. by Thomas Fulton and Kristen Poole (review)
  2. John E. Curran Jr.
  3. pp. 143-145
  4. DOI: https://doi.org/10.1353/boc.2018.0032
  5. restricted access
  1. Fiesta caballeresca en el Siglo de Oro: Estudio, edición, antología y catálogo by Jimena Gamba Corradine (review)
  2. Rafael Ramos
  3. pp. 147-150
  4. DOI: https://doi.org/10.1353/boc.2018.0046
  5. restricted access
  1. The Refracted Muse: Literature and Optics in Early Modern Spain by Enrique García Santo-Tomás (review)
  2. Antonio Barrera-Osorio
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/boc.2018.0028
  5. restricted access
  1. Música y poesía en las comedias de Bances Candamo by Gaston Gilabert (review)
  2. Gorka Rubiales Zabarte
  3. pp. 155-158
  4. DOI: https://doi.org/10.1353/boc.2018.0052
  5. restricted access
  1. Cervantes – Shakespeare 1616–2016: Contexto · Influencia · Relación / Context · Influence · Relation ed. by José Manuel González (review)
  2. Paul Carranza
  3. pp. 159-162
  4. DOI: https://doi.org/10.1353/boc.2018.0030
  5. restricted access
  1. Authority and Spectacle in Medieval and Early Modern Europe: Essays in Honor of Teofilo Ruiz ed. by Yuen-Gen Liang and Jarbel Rodríguez (review)
  2. María Morrás
  3. pp. 163-166
  4. DOI: https://doi.org/10.1353/boc.2018.0042
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  1. The Hurt(ful) Body: Performing and Beholding Pain, 1600–1800 ed. by Tomas Macsotay, Cornelis van der Haven, and Karel Vanhaesebrouck (review)
  2. Michael Meere
  3. pp. 167-171
  4. DOI: https://doi.org/10.1353/boc.2018.0041
  5. restricted access
  1. Nuns Navigating the Spanish Empire by Sarah E. Owens (review)
  2. Anne J. Cruz
  3. pp. 173-175
  4. DOI: https://doi.org/10.1353/boc.2018.0031
  5. restricted access
  1. Voices of Conscience: Royal Confessors and Political Counsel in Seventeenth-Century Spain and France by Nicole Reinhardt (review)
  2. Isabelle Poutrin
  3. pp. 177-180
  4. DOI: https://doi.org/10.1353/boc.2018.0045
  5. restricted access
  1. Staging Creolization: Women's Theater and Performance from the French Caribbean by Emily Sahakian (review)
  2. Nicholas R. Jones
  3. pp. 181-184
  4. DOI: https://doi.org/10.1353/boc.2018.0038
  5. restricted access
  1. Celestina and the Human Condition in Early Modern Spain and Italy by Rachel Scott (review)
  2. Joseph T. Snow
  3. pp. 185-187
  4. DOI: https://doi.org/10.1353/boc.2018.0049
  5. restricted access
  1. The New Oxford Shakespeare: Authorship Companion ed. by Gary Taylor and Gabriel Egan (review)
  2. Heather Hirschfeld
  3. pp. 189-193
  4. DOI: https://doi.org/10.1353/boc.2018.0036
  5. restricted access
  1. La Tragédie et ses marges: penser le théâtre sérieux en Europe (XVIe—XVIIe siècles) by Florence d'Artois and Anne Teulade (review)
  2. Esther Van Dyke
  3. pp. 195-199
  4. DOI: https://doi.org/10.1353/boc.2018.0033
  5. restricted access
  1. Autos sacramentales completos de Lope de Vega by Lope de Vega (review)
  2. Hilaire Kallendorf
  3. pp. 201-204
  4. DOI: https://doi.org/10.1353/boc.2018.0039
  5. restricted access
  1. El pastor de Iberia by Bernardo de la Vega (review)
  2. Javier Irigoyen-García
  3. pp. 205-207
  4. DOI: https://doi.org/10.1353/boc.2018.0037
  5. restricted access
  1. La Rosa de Alejandría by Luis Vélez de Guevara (review)
  2. Margaret Parker
  3. pp. 209-211
  4. DOI: https://doi.org/10.1353/boc.2018.0043
  5. restricted access

Bulletin of Practice

  1. El Festival de Teatro Clásico de Almagro: "Reserva natural" del Siglo de Oro: Entrevista a Ignacio García
  2. Barbara Fuchs
  3. pp. 213-219
  4. DOI: https://doi.org/10.1353/boc.2018.0034
  5. restricted access