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In this Issue

Table of Contents

  1. Sweating Tennessee Williams: Working Actors in A Streetcar Named Desire and Portrait of a Madonna
  2. Shonni Enelow
  3. pp. 129-148
  4. restricted access
  1. Daphne Marlatt’s West Coast Work with Noh
  2. Susan Knutson
  3. pp. 149-170
  4. restricted access
  1. The Complex Racial Politics of Smart People
  2. Isaiah Matthew Wooden
  3. pp. 171-190
  4. restricted access
  1. The Mote in God’s i : Fourier, Fractals, and Imaginary Numbers in Tom Stoppard’s Arcadia
  2. Jeremy Colangelo
  3. pp. 191-207
  4. restricted access
  1. Rachel Crothers’s Abandoned Play Venus and the Future of Gender
  2. Lesley Broder
  3. pp. 208-228
  4. restricted access
  1. Affect, Animals, and Autists: Feeling around the Edges of the Human in Performance by Marla Carlson (review)
  2. Rishika Mehrishi
  3. pp. 229-231
  4. restricted access
  1. Performing Trauma in Central Africa: Shadows of Empire by Laura Edmondson (review)
  2. Joshua Williams
  3. pp. 231-234
  4. restricted access
  1. Staging Revolution: Artistry and Aesthetics in Model Beijing Opera during the Cultural Revolution by Xing Fan (review)
  2. Kim Hunter Gordon
  3. pp. 234-236
  4. restricted access
  1. Performing Queer Modernism by Penny Farfan (review)
  2. Sue-Ellen Case
  3. pp. 236-239
  4. restricted access
  1. Viral Performance: Contagious Theaters from Modernism to the Digital Age by Miriam Felton-Dansky (review)
  2. Adrian Curtin
  3. pp. 239-242
  4. restricted access
  1. In Search of Our Warrior Mothers: Women Dramatists of the Black Arts Movement by La Donna L. Forsgren (review)
  2. Jennifer Larson
  3. pp. 242-244
  4. restricted access
  1. Revisioning Beckett: Samuel Beckett’s Decadent Turn by S.E. Gontarski (review)
  2. Jean-Michel Rabaté
  3. pp. 244-246
  4. restricted access
  1. Performing Statelessness in Europe by S.E. Wilmer (review)
  2. Yana Meerzon
  3. pp. 246-248
  4. restricted access