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Table of Contents

  1. Painting Words, Drawing Republics: Embodied Arts and New Beginnings in Simón Rodríguez
  2. Emmanuel Velayos
  3. pp. 133-158
  4. DOI: https://doi.org/10.1353/hir.2019.0008
  5. restricted access
  1. Epic Hares and Local Heroes: Vicente Pérez de Culla’s Expulsión de los moriscos rebeldes de la Sierra, y Muela de Cortes por Simeon Zapata Valenciano (1635)
  2. Andrea Pauw
  3. pp. 159-181
  4. DOI: https://doi.org/10.1353/hir.2019.0009
  5. restricted access
  1. Shipwrecked Na(rra)tion in Cervantes
  2. Ana María Laguna
  3. pp. 183-207
  4. DOI: https://doi.org/10.1353/hir.2019.0010
  5. restricted access
  1. Rosalía de Castro’s El caballero de las botas azules and Charles Perrault’s Le chat botté : Parody, Critique and a New Social (Dis)order
  2. Aviva Kana
  3. pp. 209-228
  4. DOI: https://doi.org/10.1353/hir.2019.0011
  5. restricted access
  1. Lepanto en Cataluña: una contribución a la épica y a la poesía narrativa hispánicas del quinientos
  2. Pep Valsalobre
  3. pp. 229-249
  4. DOI: https://doi.org/10.1353/hir.2019.0012
  5. restricted access
  1. Embodying the Sacred: Women Mystics in Seventeenth-Century Lima by Nancy E. Van Deusen (review)
  2. Megan Gargiulo
  3. pp. 251-254
  4. DOI: https://doi.org/10.1353/hir.2019.0013
  5. restricted access
  1. The Prison of Love: Romance, Translation, and the Book in the Sixteenth Century by Emily C. Francomano (review)
  2. Víctor Sierra Matute
  3. pp. 254-256
  4. DOI: https://doi.org/10.1353/hir.2019.0014
  5. restricted access
  1. Mujeres en tránsito: viaje, identidad y escritura en Sudamérica (1830–1910) by Vanesa Miseres (review)
  2. Patricia Arroyo Calderón
  3. pp. 256-260
  4. DOI: https://doi.org/10.1353/hir.2019.0015
  5. restricted access
  1. Books Received
  3. pp. 261-263
  4. DOI: https://doi.org/10.1353/hir.2019.0016
  5. restricted access