1. Courtly Love as Allegory of Reading: Reconsidering the Didacticism of the Dit du cerf amoureux
  2. Christine Bourgeois
  3. pp. 359-373
  4. DOI: 10.1353/frf.2018.0029
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  1. Engaged Theater during the Siege of Paris 1870–1871: Corneille Rewritten
  2. Colin Foss
  3. pp. 375-389
  4. DOI: 10.1353/frf.2018.0030
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  1. Pierre Corneille's Le Cid in Colonial Quebec
  2. Micah True
  3. pp. 391-405
  4. DOI: 10.1353/frf.2018.0031
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  1. From a Survival Technique to a System of Luxury: Defining Gastronomy in Utopias from Mercier to Fourier
  2. Max Shrem
  3. pp. 407-421
  4. DOI: 10.1353/frf.2018.0032
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  1. Lefebvrian 'Moments' in Marguerite Duras's Cahiers de la guerre
  2. Jennifer Willging
  3. pp. 423-437
  4. DOI: 10.1353/frf.2018.0033
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  1. Restaging Terror in the Algerian War: Zohra Drif, Malraux, Camus, Fanon
  2. Cory Browning
  3. pp. 457-473
  4. DOI: 10.1353/frf.2018.0035
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  1. Translating Desire: The Multilingual and Inter-Artistic Practice of Abdellah Taïa
  2. Joseph Pomp
  3. pp. 475-490
  4. DOI: 10.1353/frf.2018.0036
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  1. Rature, copie, série: Historiographie et avant-garde (Fleischer, Perec, Ruiz)
  2. Érik Bullot
  3. pp. 491-505
  4. DOI: 10.1353/frf.2018.0037
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  1. Des exercices scolaires inédits de Rimbaud
  2. Andrea Schellino
  3. pp. 507-514
  4. DOI: 10.1353/frf.2018.0038
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  1. An Aesthetics of Injury: the Narrative Wound from Baudelaire to Tarantino by Ian Fleishman (review)
  2. Christina Svendsen
  3. pp. 515-517
  4. DOI: 10.1353/frf.2018.0039
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  1. Mythologies postcoloniales. Pour une décolonisation du quotidien ed. by Etienne Achille and Lydie Moudileno (review)
  2. Gerald Prince
  3. pp. 520-521
  4. DOI: 10.1353/frf.2018.0041
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  1. Books Received
  2. p. 522
  3. DOI: 10.1353/frf.2018.0042
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