1. Introduction: Portraitomanie and Intermediality in Nineteenth-Century France
  2. Érika Wicky, Kathrin Yacavone
  3. pp. 1-11
  4. DOI: 10.1353/esp.2019.0000
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  1. Figures de l'altérité au XIXe siècle : Portraits, caractères, expressions
  2. Martial Guédron
  3. pp. 12-27
  4. DOI: 10.1353/esp.2019.0001
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  1. Souvenirs perpétuels : Une histoire matérielle du portrait au XIXe siècle
  2. Manuel Charpy
  3. pp. 28-46
  4. DOI: 10.1353/esp.2019.0002
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  1. Emulating Vatel: Portraitomanie, Celebrity, and Culinary Intermediality, 1880-1914
  2. Michael D. Garval
  3. pp. 47-65
  4. DOI: 10.1353/esp.2019.0003
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  1. Portraits of Deburau in Janin's Deburau, l'histoire du théâtre à quatre sous
  2. Edward Nye
  3. pp. 66-81
  4. DOI: 10.1353/esp.2019.0004
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  1. Le gouvernement des portraits : Autour d'Émile de Girardin
  2. Adeline Wrona
  3. pp. 82-94
  4. DOI: 10.1353/esp.2019.0005
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  1. "Un déjeuner avec M. Maeterlinck": Intermedial Experimentation in Adolphe Brisson's Portraits intimes
  2. Elizabeth Emery
  3. pp. 95-110
  4. DOI: 10.1353/esp.2019.0006
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  1. George Sand and Nadar: Portraiture Between Lithography, Sculpture, and Photography
  2. Kathrin Yacavone
  3. pp. 111-127
  4. DOI: 10.1353/esp.2019.0007
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  1. « Les photographies et les biographies » : Barbey d'Aurevilly et « la démocratie du portrait »
  2. Julien Zanetta
  3. pp. 128-141
  4. DOI: 10.1353/esp.2019.0008
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  1. Psyché et Narcisse, portraits et miroirs
  2. Érika Wicky
  3. pp. 142-153
  4. DOI: 10.1353/esp.2019.0009
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  1. Aesthetic Citizenship: Immigration and Theater in Twenty-First-Century Paris by Emine Fişek (review)
  2. Brittany Murray
  3. p. 154
  4. DOI: 10.1353/esp.2019.0010
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  1. Original Copies in Georges Perec and Andy Warhol by Priya Wadhera (review)
  2. Warren Motte
  3. p. 155
  4. DOI: 10.1353/esp.2019.0011
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