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Table of Contents

  1. Collisions
  2. Speer Morgan
  3. pp. 6-10
  4. DOI: https://doi.org/10.1353/mis.2019.0000
  5. restricted access
  1. Spinoza's Landlady
  2. Robert Cochran
  3. pp. 20-33
  4. DOI: https://doi.org/10.1353/mis.2019.0002
  5. restricted access
  1. Salt Land
  2. Amanda Baldeneaux
  3. pp. 34-55
  4. DOI: https://doi.org/10.1353/mis.2019.0003
  5. restricted access
  1. Gateway to the Arctic
  2. Jedediah Cannon
  3. pp. 56-67
  4. DOI: https://doi.org/10.1353/mis.2019.0004
  5. restricted access
  1. A Conversation with Nathaniel Philbrick
  2. Anthony Aycock, Nathaniel Philbrick
  3. pp. 68-79
  4. DOI: https://doi.org/10.1353/mis.2019.0005
  5. restricted access
  1. Jamilla
  2. Jo Anne Bennett
  3. pp. 80-96
  4. DOI: https://doi.org/10.1353/mis.2019.0006
  5. restricted access
  1. Subvertising: The Art of Altering the Message
  2. Kristine Somerville
  3. pp. 97-113
  4. DOI: https://doi.org/10.1353/mis.2019.0007
  5. restricted access
  1. Providence
  2. Daphne Kalotay
  3. pp. 114-132
  4. DOI: https://doi.org/10.1353/mis.2019.0008
  5. restricted access
  1. Queen Anne's Lace, and: Conte de Fées, and: Scheria, and: Amor Veneris, and: Sacré-Coeur de Montmartre
  2. Vanessa Stauffer
  3. pp. 133-142
  4. DOI: https://doi.org/10.1353/mis.2019.0009
  5. restricted access
  1. Chronicler of the Metropolis: Jeanne Mammen's Berlin Watercolors
  2. Kristine Somerville
  3. pp. 143-153
  4. DOI: https://doi.org/10.1353/mis.2019.0010
  5. restricted access
  1. Singapore
  2. Lisa Taddeo
  3. pp. 154-172
  4. DOI: https://doi.org/10.1353/mis.2019.0011
  5. restricted access
  1. Tiny Books, Big Pleasures: On Recent Trends in Publishing toward the Tiny
  2. Andrew Mulvania
  3. pp. 182-194
  4. DOI: https://doi.org/10.1353/mis.2019.0013
  5. restricted access