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Table of Contents

  1. Introduction: "It's not a good thing. It's not a bad thing. But it's a thing. But it doesn't mean it has to remain that way."
  2. Anthony Stewart
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/afa.2019.0000
  5. restricted access
  1. Retracing the Hype about Hyper into Percival Everett
  2. Zach Linge
  3. pp. 5-16
  4. DOI: https://doi.org/10.1353/afa.2019.0001
  5. restricted access
  1. So Much Blue: The Equanimity of Passionate Desperation
  2. Judith Roof
  3. pp. 17-26
  4. DOI: https://doi.org/10.1353/afa.2019.0002
  5. restricted access
  1. Revealing the Artistry of Percival Everett's So Much Blue
  2. Joe Weixlmann
  3. pp. 27-46
  4. DOI: https://doi.org/10.1353/afa.2019.0003
  5. restricted access
  1. Intimate Realities and Necessary Fiction in Percival Everett by Virgil Russell
  2. Leah Milne
  3. pp. 47-60
  4. DOI: https://doi.org/10.1353/afa.2019.0004
  5. restricted access
  1. Notes of a Native Novelist: Institutional Blackness and Critical Uplift in Percival Everett's Self-Help Satire Glyph
  2. Johannes Kohrs
  3. pp. 61-74
  4. DOI: https://doi.org/10.1353/afa.2019.0005
  5. restricted access
  1. Voicing His Objections: Narrative Voice as Racial Critique in Percival Everett's God's Country
  2. James J. Donahue
  3. pp. 75-86
  4. DOI: https://doi.org/10.1353/afa.2019.0006
  5. restricted access
  1. Philosophy Embedded in Space: Rethinking the Frontier in Percival Everett's Western Novels
  2. Michel Feith
  3. pp. 87-100
  4. DOI: https://doi.org/10.1353/afa.2019.0007
  5. restricted access
  1. Animal Phat Farm, and: Jim Opus [jim oh-puh s]
  2. Cortney Lamar Charleston
  3. pp. 101-102
  4. DOI: https://doi.org/10.1353/afa.2019.0008
  5. restricted access
  1. Bill C., for atonement—erasure, and: The Starfish and the Sponge
  2. Vernita Hall
  3. p. 103
  4. DOI: https://doi.org/10.1353/afa.2019.0009
  5. restricted access
  1. dear citizen
  2. Marcus B. McArthur
  3. pp. 104-106
  4. DOI: https://doi.org/10.1353/afa.2019.0010
  5. restricted access
  1. An Apology to Thin Air
  2. Michael Meyerhofer
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/afa.2019.0011
  5. restricted access
  1. Cultural Memories of Origin: Trauma, Memory and Imagery in African American Narratives of the Middle Passage by Frank Wilker (review)
  2. Tuire Valkeakari
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/afa.2019.0012
  5. restricted access
  1. Slavery and Silence: Latin America and the U.S. Slave Debate by Paul D. Naish (review)
  2. Jeffrey F. Taffet
  3. pp. 111-112
  4. DOI: https://doi.org/10.1353/afa.2019.0013
  5. restricted access
  1. A Political Companion to James Baldwin ed. by Susan J. McWilliams (review)
  2. Douglas Field
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/afa.2019.0014
  5. restricted access
  1. Fired Up! Ready to Go!: Finding Beauty, Demanding Equity: An African American Life in Art. The Collections of Peggy Cooper Cafritz by Peggy Cooper Cafritz (review)
  2. Michelle Joan Wilkinson
  3. pp. 114-117
  4. DOI: https://doi.org/10.1353/afa.2019.0015
  5. restricted access
  1. Jim Crow Terminals: The Desegregation of American Airports by Anke Ortlepp (review)
  2. Christopher Schaberg
  3. pp. 117-118
  4. DOI: https://doi.org/10.1353/afa.2019.0016
  5. restricted access
  1. Contributors
  3. pp. 119-120
  4. DOI: https://doi.org/10.1353/afa.2019.0017
  5. restricted access