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In this Issue

Table of Contents

  1. Editors’ Introduction: Hearing Riel
  2. Caryl Clark, Linda Hutcheon, Sherry D. Lee, Tegan Niziol, Carolyne Sumner
  3. pp. 1-9
  4. restricted access
  1. The Genesis and First Production of Louis Riel
  2. Robin Elliott
  3. pp. 10-21
  4. restricted access
  1. Radical Modernism, Operatic Failure, and Louis Riel’s Challenge to Reconciliation
  2. Sherry D. Lee
  3. pp. 22-28
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  1. The Sermon from the Mount: The Messages in the Canadian Opera Company’s Remount of the Riel Opera
  2. Jean Teillet
  3. pp. 29-36
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  1. Director’s Notes
  2. Peter Hinton
  3. pp. 37-38
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  1. Louis Riel: History, Theatre, and a National Narrative – An Evolving . . . Story
  2. Paula Danckert
  3. pp. 39-50
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  1. Haunting Riel
  2. Colleen Renihan
  3. pp. 51-58
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  1. Can Opera Listen? Canada’s (Sesqui) Centennial Opera, Louis Riel
  2. Sarah Koval, Taryn Dubois
  3. pp. 59-72
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  1. “Decolonizing” Riel
  2. Colette Simonot-Maiello
  3. pp. 73-82
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  1. Doing Long Work: Critical Perspectives on Indigenous-Settler Collaboration in Canadian Art Music
  2. Jeremy Strachan, Patrick Nickleson
  3. pp. 83-101
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  1. Listening to the Lake
  2. Mary I. Ingraham, Brianna Wells
  3. pp. 102-119
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