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Table of Contents

  1. Gertrude Stein's Atomic Bombs: Her Pacific War
  2. Tze-Yin Teo
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/mod.2019.0000
  5. restricted access
  1. "That Can Never Be History": Gertrude Stein and the Speed of the Reading Machine
  2. Stephen Pasqualina
  3. pp. 19-42
  4. DOI: https://doi.org/10.1353/mod.2019.0001
  5. restricted access
  1. The Making of Men and Women: Gertrude Stein, Hugo Münsterberg, and the Discourse of Work
  2. Linda Martin
  3. pp. 43-66
  4. DOI: https://doi.org/10.1353/mod.2019.0002
  5. restricted access
  1. Alienating the Written Word: Gertrude Stein's (Un)familiar Languages
  2. Chloé Thomas
  3. pp. 67-86
  4. DOI: https://doi.org/10.1353/mod.2019.0003
  5. restricted access
  1. "The Revolution Is Not Imminent": The Uses of Elegy in the Long 1940s
  2. Mande Zecca
  3. pp. 87-110
  4. DOI: https://doi.org/10.1353/mod.2019.0004
  5. restricted access
  1. Martín Fierro, Argentine Nationalism, and the Return to Order
  2. Iliana Cepero
  3. pp. 111-140
  4. DOI: https://doi.org/10.1353/mod.2019.0005
  5. restricted access
  1. Mixed Into Nothingness: Moishe Nadir and the Poetics of Teshuvah
  2. Amelia M. Glaser
  3. pp. 141-166
  4. DOI: https://doi.org/10.1353/mod.2019.0006
  5. restricted access
  1. Dreaming of Palestine: James Joyce's Ulysses and Plantation Modernism
  2. Amy Clukey
  3. pp. 167-184
  4. DOI: https://doi.org/10.1353/mod.2019.0007
  5. restricted access
  1. Unrarified Air: Alfred Stieglitz and the Modernism of Equivalence
  2. Kate Stanley
  3. pp. 185-212
  4. DOI: https://doi.org/10.1353/mod.2019.0008
  5. restricted access
  1. The New Decadence
  2. Robert Volpicelli
  3. pp. 213-218
  4. DOI: https://doi.org/10.1353/mod.2019.0009
  5. restricted access
  1. Still Modernism: Photography, Literature, Film by Louise Hornby (review)
  2. Alix Beeston
  3. pp. 219-222
  4. DOI: https://doi.org/10.1353/mod.2019.0010
  5. restricted access
  1. The Novel After Film: Modernism and the Decline of Autonomy by Jonathan Foltz (review)
  2. Jordan Brower
  3. pp. 222-225
  4. DOI: https://doi.org/10.1353/mod.2019.0011
  5. restricted access
  1. Samuel Beckett and Cinema by Anthony Paraskeva (review)
  2. Colin Gardner
  3. pp. 225-228
  4. DOI: https://doi.org/10.1353/mod.2019.0012
  5. restricted access
  1. Samuel Beckett and the Terror of Literature by Christopher Langlois (review)
  2. Arka Chattopadhyay
  3. pp. 228-230
  4. DOI: https://doi.org/10.1353/mod.2019.0013
  5. restricted access
  1. Nietzsche's Nihilism in Walter Benjamin by Mauro Ponzi (review)
  2. Mena Mitrano
  3. pp. 230-233
  4. DOI: https://doi.org/10.1353/mod.2019.0014
  5. restricted access
  1. Poetry and Theology in the Modernist Period by Anthony Domestico (review)
  2. Jayme Stayer
  3. pp. 233-235
  4. DOI: https://doi.org/10.1353/mod.2019.0015
  5. restricted access
  1. Hemingway and Italy: Twenty-First-Century Perspectives ed. by Mark Cirino and Mark P. Ott (review)
  2. Leonardo Buonomo
  3. pp. 236-237
  4. DOI: https://doi.org/10.1353/mod.2019.0016
  5. restricted access
  1. East-West Exchange and Late Modernism: Williams, Moore, Pound by Zhaoming Qian (review)
  2. OU Rong
  3. pp. 238-239
  4. DOI: https://doi.org/10.1353/mod.2019.0017
  5. restricted access
  1. Recent Books of Interest
  3. pp. 241-242
  4. DOI: https://doi.org/10.1353/mod.2019.0018
  5. restricted access