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In this Issue

Table of Contents

  1. A Fig Leaf for Jeff Koons: Pornography, Privacy, and “Made in Heaven”
  2. Lauren DeLand
  3. pp. 295-314
  4. DOI: https://doi.org/10.13110/criticism.60.3.0295
  5. restricted access
  1. Friending Joe Brainard
  2. Brian Glavey
  3. pp. 315-340
  4. DOI: https://doi.org/10.13110/criticism.60.3.0315
  5. restricted access
  1. Thomas de Quincey’s Stage-Work: Theater, Reading, Body, Affect
  2. Gerald Maa
  3. pp. 341-361
  4. DOI: https://doi.org/10.13110/criticism.60.3.0341
  5. restricted access
  1. Capitalized Body Parts: Race, Sexuality, and Commodification in Harry Crews’s Car (1972)
  2. Alex Pittman
  3. pp. 363-384
  4. DOI: https://doi.org/10.13110/criticism.60.3.0363
  5. restricted access
  1. Utopian Tremors, or, the Enigmatic Restlessness of the Israeli Literary Soldier
  2. Oded Nir
  3. pp. 385-408
  4. DOI: https://doi.org/10.13110/criticism.60.3.0385
  5. restricted access

Reviews

  1. Shakespeare’s Testament
  2. Julia Reinhard Lupton
  3. pp. 409-412
  4. DOI: https://doi.org/10.13110/criticism.60.3.0409
  5. restricted access
  1. Reading for the Watery World
  2. Amy L. Tigner
  3. pp. 413-416
  4. DOI: https://doi.org/10.13110/criticism.60.3.0413
  5. restricted access
  1. Experimental Tendencies and the Tradition of Experimental Poetics
  2. Marcus Merritt
  3. pp. 417-423
  4. DOI: https://doi.org/10.13110/criticism.60.3.0417
  5. restricted access
  1. Popular Film, Public Opinion, and the Enduring Crisis of Colonialism
  2. Tom Rice
  3. pp. 425-428
  4. DOI: https://doi.org/10.13110/criticism.60.3.0425
  5. restricted access