1. Cinema | Diptych: Grindhouse | Death Proof
  2. Caroline Bem
  3. pp. 1-22
  4. DOI: 10.1353/cj.2019.0000
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  1. Living Precariously in the African Postcolony: Debt and Labor Relations in the Films of Mahamat-Saleh Haroun
  2. Carmela Garritano
  3. pp. 23-45
  4. DOI: 10.1353/cj.2019.0001
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  1. The Melancholic Voice-Over in Film Noir
  2. Paul Haacke
  3. pp. 46-70
  4. DOI: 10.1353/cj.2019.0002
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  1. Brakhage and the Birth of Silence
  2. Justin Remes
  3. pp. 71-90
  4. DOI: 10.1353/cj.2019.0003
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  1. "Nobody Knows Anything": Professionalism and Publics in The Great Waldo Pepper
  2. Ben Rogerson
  3. pp. 91-114
  4. DOI: 10.1353/cj.2019.0004
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  1. Retail Tales and Tribulations: Transmedia Brands, Consumer Products, and the Significance of Shop Talk
  2. Avi Santo
  3. pp. 115-141
  4. DOI: 10.1353/cj.2019.0005
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  1. In Focus: Film and Media Studies in the Anthropocene
  2. Jennifer Peterson, Graig Uhlin
  3. pp. 142-146
  4. DOI: 10.1353/cj.2019.0006
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  1. Cinema's Hot Chronology (5:29:21 Mountain War Time, July 16, 1945)
  2. Jennifer Fay
  3. pp. 146-152
  4. DOI: 10.1353/cj.2019.0007
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  1. Cinema's Natural History
  2. James Leo Cahill
  3. pp. 152-157
  4. DOI: 10.1353/cj.2019.0008
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  1. The Anthropocene's Nonindifferent Nature
  2. Graig Uhlin
  3. pp. 157-162
  4. DOI: 10.1353/cj.2019.0009
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  1. Ecodiegesis: The Scenography of Nature on Screen
  2. Jennifer Peterson
  3. pp. 162-168
  4. DOI: 10.1353/cj.2019.0010
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  1. Sinkholes
  2. Karl Schoonover
  3. pp. 169-174
  4. DOI: 10.1353/cj.2019.0011
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  1. Reorientations; or, An Indigenous Feminist Reflection on the Anthropocene
  2. Kali Simmons
  3. pp. 174-179
  4. DOI: 10.1353/cj.2019.0012
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  1. Contributors
  2. p. 179
  3. DOI: 10.1353/cj.2019.0013
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  1. A Taste for Brown Sugar: Black Women in Pornography by Mireille Miller-Young (review)
  2. Peter Alilunas
  3. pp. 180-184
  4. DOI: 10.1353/cj.2019.0014
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  1. A Theory of Regret by Brian Price (review)
  2. Eugenie Brinkema
  3. pp. 184-189
  4. DOI: 10.1353/cj.2019.0015
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  1. Aerial Aftermaths: Wartime from Above by Caren Kaplan (review)
  2. Grace Aldridge Foster
  3. pp. 190-193
  4. DOI: 10.1353/cj.2019.0016
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  1. Lewd Looks: American Sexploitation Cinema in the 1960s by Elena Gorfinkel (review)
  2. Laura Horak
  3. pp. 194-197
  4. DOI: 10.1353/cj.2019.0017
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  1. Documentary across Disciplines ed. by Erika Balsom and Hila Peleg (review)
  2. S. Topiary Landberg
  3. pp. 198-201
  4. DOI: 10.1353/cj.2019.0018
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  1. Contributors
  2. p. 202
  3. DOI: 10.1353/cj.2019.0019
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