Scripts

  1. In Sundry Languages
  2. Toronto Laboratory Theatre
  3. pp. 31-39
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  1. Mad Woman's ESL Poetry
  2. Minah Lee
  3. pp. 57-66
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Features

  1. Editorial
  2. Brian Batchelor, Hannah Rackow, Denise Rogers Valenzuela
  3. pp. 5-9
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  1. The Most Unwelcoming 'Outstanding Welcome': Marginalized Communities and Museums and Contemporary Art Spaces
  2. Syrus Marcus Ware
  3. pp. 10-13
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  1. #WelcomeToCanada: Performing Asylum, Defending Nation
  2. Shannon Elizabeth Hughes
  3. pp. 14-19
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  1. Dylan Robinson: Rethinking the Practice and Performance of Indigenous Land Acknowledgement
  2. Dylan Robinson
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  1. Kanonhsyonne Janice C. Hill: Rethinking the Practice and Performance of Indigenous Land Acknowledgement
  2. Kanonhsyonne Janice C. Hill
  3. pp. 22-24
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  1. Armand Garnet Ruffo: Rethinking the Practice and Performance of Indigenous Land Acknowledgement
  2. Armand Garnet Ruffo
  3. pp. 24-27
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  1. Selena Couture: Rethinking the Practice and Performance of Indigenous Land Acknowledgement
  2. Selena Couture
  3. pp. 27-29
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  1. Lisa Cooke Ravensbergen: Rethinking the Practice and Performance of Indigenous Land Acknowledgement
  2. Lisa Cooke Ravensbergen
  3. pp. 29-30
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  1. Performing Hospitality, Speaking Solidarity
  2. Zoë Heyn-Jones, Celeste Mayorga Urbina
  3. pp. 40-45
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  1. Micro-Life: A Reflection on Species and Collaboration
  2. Justin Abraham Linds, Marc Arthur
  3. pp. 46-50
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  1. Emcee Etiquettes: Experts Weigh In on How to Host the Perfect Cabaret Night
  2. Stephen Lawson
  3. pp. 67-72
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  1. In/hospitality and Un/inhabitability: Three Scenes in the Work of Lido Pimienta
  2. Olivia Michiko Gagnon
  3. pp. 73-77
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  1. Congregating around oblivion: Dissolving the Borders between Queerness and Faith through Theatre
  2. Jonathan D. Brower
  3. pp. 78-84
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Views and Reviews

  1. Editorial: Transforming Form
  2. Kimberley McLeod
  3. pp. 85-86
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  1. Mouthpiece: The Female Body and the Dialectics of Being Seen and Heard
  2. Thea Fitz-James
  3. pp. 87-89
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  1. Seeking the International Intercultural: The Seventieth Edinburgh Fringe Festival
  2. Ric Knowles
  3. pp. 90-93
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  1. Feeling Authentic? When a Review May Not Be Enough
  2. Sylvain Lavoie
  3. pp. 94-95
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  1. Why Canadians Go South: An Interview with Shaw Festival Executive Director Tim Jennings
  2. Leora Morris
  3. pp. 96-98
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Online Feature

Arctic Futurisms

In this visual essay, Carmen Victor assembles works by artists, dramaturges, choreographers, DJs, researchers, and filmmakers that contend with the intersections of Indigenous sovereignty, climate change, and resource claims in both the historical and contemporary Arctic. The slideshow features multi-disciplinary works by Reneltta Arluk, Graeme Ferguson, Geronimo Inutiq, Lindsay McIntyre, Brandy Leary, Caroline Monnet, Kevin Schmidt, and Charles Stankievech.

https://ctr.utpjournals.press/ctr/177/slideshow