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Table of Contents

  1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/amu.2019.0000
  5. restricted access
  1. In Search of Asylum: Solitary Singing Practice in Koin Norae-Bang by Contemporary Korean Young People
  2. Jayoung Joo
  3. pp. 3-27
  4. DOI: https://doi.org/10.1353/amu.2019.0001
  5. restricted access
  1. Capturing Sound or History? Understanding the 1928 Minzoku Geijutsu Transcription Debate
  2. Richard Miller
  3. pp. 28-46
  4. DOI: https://doi.org/10.1353/amu.2019.0002
  5. restricted access
  1. Mobilities, Experienced and Performed, in Mongolia's Urtyn Duu Tradition
  2. Sunmin Yoon
  3. pp. 47-77
  4. DOI: https://doi.org/10.1353/amu.2019.0003
  5. restricted access
  1. Sound Spectrum Analysis: Ryūteki and Hichiriki Techniques as Performers of Structure and Mode in Etenraku
  2. Amy D. Simon
  3. pp. 78-117
  4. DOI: https://doi.org/10.1353/amu.2019.0004
  5. restricted access
  1. Music of Azerbaijan: From Mugham to Opera by Aida Huseynova (review)
  2. János Sipos
  3. pp. 118-123
  4. DOI: https://doi.org/10.1353/amu.2019.0005
  5. restricted access
  1. Beyond "Innocence": Amis Aboriginal Song in Taiwan as an Ecosystem by Shzr Ee Tan (review)
  2. Nancy Guy
  3. pp. 123-126
  4. DOI: https://doi.org/10.1353/amu.2019.0006
  5. restricted access
  1. Gongs & Pop Songs: Sounding Minangkabau in Indonesia by Jennifer A. Fraser (review)
  2. Megan Collins
  3. pp. 134-136
  4. DOI: https://doi.org/10.1353/amu.2019.0009
  5. restricted access
  1. The Narrative Arts of Tianjin: Between Music and Language by Francesca R. Sborgi Lawson (review)
  2. Yu Hui
  3. pp. 137-140
  4. DOI: https://doi.org/10.1353/amu.2019.0010
  5. restricted access
  1. About the Contributors
  2. pp. 141-143
  3. DOI: https://doi.org/10.1353/amu.2019.0011
  4. restricted access