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Table of Contents

  1. In Memoriam Julie Klassen, 1943–2018
  3. pp. xi-xii
  4. DOI: https://doi.org/10.1353/fgs.2018.0000
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  1. Editors' Introduction
  2. Alexandra M. Hill, Waltraud Maierhofer
  3. pp. xiii-xix
  4. DOI: https://doi.org/10.1353/fgs.2018.0001
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  1. The Path Not (Yet) Taken: Bettina von Arnim's Ecological Vision in Her Romantic Fairy Tale "The Queen's Son"
  2. Deborah Janson
  3. pp. 1-24
  4. DOI: https://doi.org/10.1353/fgs.2018.0002
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  1. Colonial Counternarratives in Therese Robinson's Die Auswanderer
  2. Judith E. Martin
  3. pp. 25-48
  4. DOI: https://doi.org/10.1353/fgs.2018.0003
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  1. Objects and Objectification: Women and Technology in Marie von Ebner-Eschenbach's Lotti, die Uhrmacherin and "Ein Original"
  2. Petra Watzke
  3. pp. 49-74
  4. DOI: https://doi.org/10.1353/fgs.2018.0004
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  1. Navigating Partnership: German Surrealist Ellida Schargo von Alten, Richard Oelze, and Cross-Fertilization in the Visual Arts
  2. Eleanor Moseman
  3. pp. 75-100
  4. DOI: https://doi.org/10.1353/fgs.2018.0005
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  1. Spiraling toward Happiness: City and the Self in Christa Wolf's "Unter den Linden"
  2. Thyra E. Knapp
  3. pp. 101-124
  4. DOI: https://doi.org/10.1353/fgs.2018.0006
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  1. Transgenerational Holocaust Memory in Anne Weber's Ahnen and Esther Kinsky's Am Fluß
  2. Helga Druxes
  3. pp. 125-150
  4. DOI: https://doi.org/10.1353/fgs.2018.0007
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  1. Mothers, Comrades, and Outcasts in East German Women's Films by Jennifer L. Creech (review)
  2. Melissa Sheedy
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/fgs.2018.0008
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  1. Spectacle ed. by Jennifer L. Creech and Thomas O. Haakenson (review)
  2. Rick McCormick
  3. pp. 153-155
  4. DOI: https://doi.org/10.1353/fgs.2018.0009
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  1. Framing Islam: Faith, Fascination, and Fear in Twenty-First-Century German Culture, special issue of Colloquia Germanica: Internationale Zeitschrift für Germanistik ed. by Heidi Denzel de Tirado and Faye Stewart (review)
  2. Erika Berroth
  3. pp. 155-157
  4. DOI: https://doi.org/10.1353/fgs.2018.0010
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  1. Weibliche Kreativität um 1800/Women's Creativity around 1800 ed. by Linda Dietrick and Birte Giesler (review)
  2. Laura Isakov
  3. pp. 157-159
  4. DOI: https://doi.org/10.1353/fgs.2018.0011
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  1. Passagen des Exils/Passages of Exile ed. by Burcu Dogramaci and Elisabeth Otto (review)
  2. Didem Uca
  3. pp. 159-161
  4. DOI: https://doi.org/10.1353/fgs.2018.0012
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  1. An Other Kind of Home: Gender-Sexual Abjection, Subjectivity, and the Uncanny in Literature and Film by Kyle Frackman (review)
  2. Bradley Boovy
  3. pp. 161-163
  4. DOI: https://doi.org/10.1353/fgs.2018.0013
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  1. Out in the Union: A Labor History of Queer America by Miriam Frank (review)
  2. Simone Pfleger
  3. pp. 163-164
  4. DOI: https://doi.org/10.1353/fgs.2018.0014
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  1. Performativität statt Tradition—Autobiografische Diskurse von Frauen by Brigitte E. Jirku and Marion Schulz (review)
  2. Beth Ann Muellner
  3. pp. 165-166
  4. DOI: https://doi.org/10.1353/fgs.2018.0015
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  1. Remapping Black Germany: New Perspectives on Afro-German History, Politics, and Culture ed. by Sara Lennox (review)
  2. Priscilla Layne
  3. pp. 167-168
  4. DOI: https://doi.org/10.1353/fgs.2018.0016
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  1. Reproductive Rights Issues in Popular Media: International Perspectives ed. by Waltraud Maierhofer and Beth Widmaier Capo (review)
  2. Wonneken Wanske
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/fgs.2018.0017
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  1. Mad Mädchen: Feminism and Generational Conflict in Recent German Literature and Film by Margaret McCarthy (review)
  2. Alexandra M. Hill
  3. pp. 170-172
  4. DOI: https://doi.org/10.1353/fgs.2018.0018
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  1. Revolutionary Subjects: German Literatures and the Limits of Aesthetic Solidarity with Latin America by Jamie H. Trnka (review)
  2. Andreas Stuhlmann
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/fgs.2018.0019
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  1. The Jazz Republic: Music, Race, and American Culture in Weimar Germany by Jonathan O. Wipplinger (review)
  2. Sharon M. Wailes, Monika Herzig
  3. pp. 174-176
  4. DOI: https://doi.org/10.1353/fgs.2018.0020
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  1. Women in German Prize Winners (2017)
  3. p. 177
  4. DOI: https://doi.org/10.1353/fgs.2018.0021
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