1. Introduction: Materializing the “Eternal French Connexion”
  2. Véronique Lane
  3. pp. 1-14
  4. DOI: 10.1353/esp.2018.0042
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  1. The Representation of Literary and Cultural Paris in Olympia Review (1961–1963)
  2. Maarten van Gageldonk
  3. pp. 15-30
  4. DOI: 10.1353/esp.2018.0043
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  1. William Burroughs’ Cut-Ups Lost and Found in Translation
  2. Oliver Harris
  3. pp. 31-48
  4. DOI: 10.1353/esp.2018.0044
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  1. Mary Beach and Claude Pélieu’s Translations and Adaptions of Allen Ginsberg’s Work
  2. James Horton
  3. pp. 49-63
  4. DOI: 10.1353/esp.2018.0045
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  1. La Beat Generation en France : Avant-garde vs Underground
  2. Olivier Penot-Lacassagne
  3. pp. 64-75
  4. DOI: 10.1353/esp.2018.0046
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  1. From Bucharest to the Beat Hotel: Isidore Isou and the Lettrist Revolution on the Left Bank
  2. Andrew Hussey
  3. pp. 76-88
  4. DOI: 10.1353/esp.2018.0047
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  1. Tristan Corbière’s Amours jaunes in Allen Ginsberg’s Early Poetry
  2. Véronique Lane
  3. pp. 89-103
  4. DOI: 10.1353/esp.2018.0048
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  1. Jean Cocteau et le sang poétique de la Beat Generation
  2. Franca Bellarsi
  3. pp. 104-119
  4. DOI: 10.1353/esp.2018.0049
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  1. Jack Kerouac’s French, American, and Quebecois Receptions: From Deterritorialization to Reterritorialization
  2. Susan Pinette
  3. pp. 120-133
  4. DOI: 10.1353/esp.2018.0050
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  1. American Schizo: William Burroughs and Semiotext(e)
  2. Jason Earle
  3. pp. 134-148
  4. DOI: 10.1353/esp.2018.0051
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  1. Godard Gets the Blues: Movies, Music, and Baraka
  2. Hassan Melehy
  3. pp. 149-167
  4. DOI: 10.1353/esp.2018.0052
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  1. Kerouac: Language, Poetics, and Territory by Hassan Melehy (review)
  2. Annie de Saussure
  3. pp. 169-170
  4. DOI: 10.1353/esp.2018.0054
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  1. World Beats: Beat Generation Writing and the Worlding of U.S. Literature by Jimmy Fazzino (review)
  2. Guy Stevenson
  3. pp. 171-172
  4. DOI: 10.1353/esp.2018.0056
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  1. Index, Volume 58 (2018)
  2. pp. 173-175
  3. DOI: 10.1353/esp.2018.0057
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