1. Reading Color: Looking Through Language in Warhol
  2. Carmen Merport Quiñones
  3. pp. 511-538
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  1. Tempestuous Life: Ralegh's Ocean in Ruins
  2. Steven Swarbrick
  3. pp. 539-563
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  1. Re-listening to Virginia Woolf: Sound Transduction and Private Listening in Mrs. Dalloway
  2. Leah Toth
  3. pp. 565-586
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  1. Some Stylistic Considerations of Free Indirect Discourse in Film Adaptations of Flaubert's Madame Bovary
  2. Colin Gardner
  3. pp. 587-618
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  1. The Metamorphoses of Empire in the Arthurian Tradition
  2. Kathryn Hume
  3. pp. 619-637
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  1. Eats Well with Others: Culinary Skepticism in As You Like It and Montaigne's "Of Experience"*
  2. David B. Goldstein
  3. pp. 639-660
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  1. Forms: Whole, Rhythm, Hierarchy, Network by Caroline Levine (review)
  2. Sheila Liming
  3. pp. 661-666
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  1. Melodrama: An Aesthetics of Impossibility by Jonathan Goldberg (review)
  2. Ned Schantz
  3. pp. 667-670
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  1. Art's Undoing: In the Wake of a Radical Aestheticism by Forest Pyle (review)
  2. Karen Weisman
  3. pp. 671-674
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  1. Track Changes: A Literary History of Word Processing by Matthew G. Kirschenbaum (review)
  2. Vincent Haddad
  3. pp. 675-680
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