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In this Issue

Table of Contents

  1. Satan, Subliminals, and Suicide: The Formation and Development of an Antirock Discourse in the United States during the 1980s
  2. John Brackett
  3. pp. 271-302
  4. restricted access
  1. Worship Capital: On the Political Economy of Evangelical Worship Music
  2. Andrew Mall
  3. pp. 303-326
  4. restricted access
  1. National Identity and the Oratorio in Antebellum New Orleans
  2. Warren Kimball
  3. pp. 327-347
  4. restricted access
  1. Dean Eckertsen (1928–2007): Into and out of the Spotlight
  2. Myrna Layton
  3. pp. 348-366
  4. restricted access
  1. How Blue Can You Get? "It's Tight Like That" and the Hokum Blues
  2. Roberta Freund Schwartz
  3. pp. 367-393
  4. restricted access
  1. Just Vibrations: The Purpose of Sounding Good by William Cheng (review)
  2. Everette Scott Smith
  3. pp. 394-397
  4. restricted access
  1. Music for the Melodramatic Theatre in Nineteenth-Century London & New York by Michael V. Pisani (review)
  2. Katherine K. Preston
  3. pp. 397-400
  4. restricted access
  1. The Transformation of Black Music: The Rhythms, the Songs, and the Ships of the African Diaspora by Samuel A. Floyd, with Melanie L. Zeck and Guthrie P. Ramsey (review)
  2. Josephine R. B. Wright
  3. pp. 400-403
  4. restricted access
  1. Singing Sedition: Piety and Politics in the Music of William Billings by Charles E. Brewer (review)
  2. Myron Gray
  3. pp. 403-406
  4. restricted access