1. Palace-Burner: Paula Bernat Bennett and Nineteenth-Century American Women’s Poetry
  2. Karen L. Kilcup
  3. pp. 206-210
  4. DOI: 10.1353/esq.2018.0005
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  1. Editors’ Preface
  2. Faith Barrett, Páraic Finnerty, Elizabeth Petrino
  3. pp. 211-213
  4. DOI: 10.1353/esq.2018.0006
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  1. Bennett’s Dickinsons
  2. Páraic Finnerty
  3. pp. 214-233
  4. DOI: 10.1353/esq.2018.0007
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  1. Bennett’s Archive I: Lydia Sigourney
  2. Elizabeth Petrino
  3. pp. 234-250
  4. DOI: 10.1353/esq.2018.0008
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  1. Bennett’s Archive II: Sarah Piatt
  2. Faith Barrett
  3. pp. 251-263
  4. DOI: 10.1353/esq.2018.0009
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  1. “Gorgeous Crime”: The Art of Violence in Women’s Civil War Poetry
  2. Eliza Richards
  3. pp. 264-299
  4. DOI: 10.1353/esq.2018.0010
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  1. Mimicry, Originality, and Sarah Piatt’s Ekphrastic Failures
  2. Christa Holm Vogelius
  3. pp. 300-333
  4. DOI: 10.1353/esq.2018.0011
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  1. The Living Child’s Place in Piatt’s Dead Child Poems
  2. Jess Roberts
  3. pp. 334-367
  4. DOI: 10.1353/esq.2018.0012
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  1. Sarah Piatt’s Realism in 1870s Print Culture
  2. Elizabeth Renker
  3. pp. 368-396
  4. DOI: 10.1353/esq.2018.0013
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  1. Contributors
  2. pp. 398-399
  3. DOI: 10.1353/esq.2018.0014
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