1. She Stoops to Conquer’ and its Lost Songs
  2. Ross W. Duffin
  3. pp. 159-193
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  1. Clara Schumann and the Imagined Revelation of Musical Works
  2. Alexander Stefaniak
  3. pp. 194-223
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  1. ‘Walking Backwards into the Future’: Music, Museum Culture, and the New Zealand and South Seas Exhibition (1889–1890)
  2. Inge van Rij
  3. pp. 224-259
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  1. Notes on Adorno’s ‘Musical Material’ during the New Materialisms
  2. Samuel Wilson
  3. pp. 260-275
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  1. Interlacing Traditions: Neo-Gregorian Chant Propers in Beneventan Manuscripts by Luisa Nardini (review)
  2. Elsa De Luca
  3. pp. 276-278
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  1. Music and Culture in the Middle Ages and Beyond: Liturgy, Sources, Symbolism ed. by Benjamin Brand, David J. Rothenberg (review)
  2. Karen Desmond
  3. pp. 278-281
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  1. Motets from the Chansonnier de Noailles ed. by Gaël Saint-Cricq, Eglal Doss-Quinby, Samuel N. Rosenberg (review)
  2. Elizabeth Eva Leach
  3. pp. 281-285
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  1. Early Sources of Identity: Makers, Owners and Users of Music Sources before 1600 ed. by Lisa Colton, Tim Shephard (review)
  2. Matthew Laube
  3. pp. 285-287
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  1. Perspectives on Luca Marenzio’s Secular Music ed. by Mauro Calcagno (review)
  2. Gawain Glenton
  3. pp. 287-290
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  1. Music in the London Theatre from Purcell to Handel ed. by Colin Timms, Bruce Wood (review)
  2. Judith Milhous
  3. pp. 290-292
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  1. The Polyphonic Mass in France, 1600–1780: The Evidence of the Printed Choirbooks by Jean-Paul Montagnier (review)
  2. Thierry Favier
  3. pp. 292-294
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  1. Beethoven’s 32 Piano Sonatas: A Handbook for Performers by Stewart Gordon (review)
  2. Barry Cooper
  3. pp. 294-296
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  1. The Romantic Overture and Musical Form from Rossini to Wagner by Steven Vande Moortele (review)
  2. Maddie Kavanagh Clarke
  3. pp. 296-299
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  1. Music in Goethe’s Faust; Goethe’s Faust in Music ed. by Lorraine Byrne Bodley (review)
  2. Laura Tunbridge
  3. pp. 300-303
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  1. Russian Music since 1917: Reappraisal and Rediscovery ed. by Patrick Zuk, Marina Frolova-Walker (review)
  2. David Fanning
  3. pp. 303-304
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  1. Composing for the State: Music in Twentieth-Century Dictatorships ed. by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva (review)
  2. Daniel Elphick
  3. pp. 304-307
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  1. Musical Migrations: Crossroads of European Musical Diversity ed. by Jernej Weiss (review)
  2. John Tyrrell
  3. pp. 307-309
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  1. Modeling Ethnomusicology by Timothy Rice (review)
  2. Matthew Machin-Autenrieth
  3. pp. 312-315
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  1. Pat Metheny: The ECM Years, 1975–1984 by Mervyn Cooke (review)
  2. Keith Waters
  3. pp. 315-317
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  1. Music & Letters’ Awards
  2. p. 320
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  1. Authors of Articles in this Issue
  2. p. 320
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  1. Books Received
  2. pp. 321-322
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