1. Contributors to this Issue
  2. pp. 283-284
  3. DOI: 10.1353/dqt.2018.0032
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  1. Radicals in “The Parlour”: John Arthur Roebuck and the Politics of an 1835 Sketch
  2. William F. Long
  3. pp. 285-302
  4. DOI: 10.1353/dqt.2018.0033
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  1. Charles Dickens and Joseph Parkinson: Disentangling Composite Authorship in All the Year Round
  2. Leon Litvack, Hugh Craig
  3. pp. 303-349
  4. DOI: 10.1353/dqt.2018.0034
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  1. Theatrical Extraneity: John Irving’s A Prayer for Owen Meany and Dickensian Theater-Fiction
  2. Graham Wolfe
  3. pp. 350-372
  4. DOI: 10.1353/dqt.2018.0035
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  1. Novel Politics: Democratic Imaginations in Nineteenth-Century Fiction by Isobel Armstrong (review)
  2. Dominic Rainsford
  3. pp. 379-382
  4. DOI: 10.1353/dqt.2018.0037
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  1. Creating Identity in the Victorian Fictional Autobiography by Heidi L. Pennington (review)
  2. Constance D. Harsh
  3. pp. 382-384
  4. DOI: 10.1353/dqt.2018.0038
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  1. Blindness and Writing: From Wordsworth to Gissing by Heather Tilley (review)
  2. Kathy Rees
  3. pp. 385-388
  4. DOI: 10.1353/dqt.2018.0039
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  1. Populating the Novel: Literary Form and the Politics of Surplus Life by Emily Steinlight (review)
  2. Joanna Hofer-Robinson
  3. pp. 388-390
  4. DOI: 10.1353/dqt.2018.0040
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  1. The Forty-Ninth Annual Dickens Society Meeting: Tübingen, Germany
  2. pp. 391-395
  3. DOI: 10.1353/dqt.2018.0041
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  1. Dickens Quarterly Checklist
  2. Kim Edwards Keates, Claire Horrocks
  3. pp. 401-404
  4. DOI: 10.1353/dqt.2018.0042
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